Emily Mallon
Best New K-Dramas to Watch on Netflix
In 2021, international mega-hit Squid Game introduced the power of South Korean storytelling to a broader worldwide audience. K-drama fans have historically streamed content on services like Viki or hoped their favorite TvN or JBTC series would be picked up by Netflix. Then streamer invested $500 million in South Korean movies and series to produce
Silent Sea
While the American film Don’t Look Up is getting a lot of buzz, Netflix viewers should also check out The Silent Sea for a different perspective on the future of our planet, and the role of our outer space in the search for answers.
Single’s Inferno
A cross between Love Island and Survivor, Single’s Inferno is the perfect guilty pleasure to supplant your own dearth of a social life right now.
From K-pop Idol to K-drama Star: 10 Artists Who Can Do it All
K-drama actors are talented, good looking, and able to cry on a dime. But did you know that some can also sing, dance, rap, and perform intricate choreography for millions of fans?
The 20 Best K-Dramas Currently on Netflix
Do you feel like you’ve seen everything on Netflix? Maybe it’s time to dive into the vast and eclectic world of K-dramas.
Nevertheless
A racy, seductive drama that defies K-drama tropes, Nevertheless is about a friends-with-benefits relationship that explores all of the confusion, lust, insecurity and pain of college-age relationships. Watch this one with a crush and cocktail.
Vincenzo
Looking for an action-adventure, mafia epic, kooky comedy, or romantic thriller? This unconventional K-drama checks all the boxes.
Hello, Me!
More laughter than tears, Hello, Me is a quirky crowd pleaser. Plot holes may arise from the time-travel storyline, but give yourself permission to enter the fantasy.
Emily Mallon
A Need-to-Know Guide to And Just Like That…
After a two year wait, Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and the inevitable rainy weekends, And Just Like That might be
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.
Why Andor is Luring in Non-Star Wars Fans
An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of
Inside the War Zone: A sit down with Warfare’s director and cast
A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal
A Need-to-Know Guide to And Just Like That…
After a two year wait, Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and the inevitable rainy weekends, And Just Like That might be
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.
Why Andor is Luring in Non-Star Wars Fans
An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of
Inside the War Zone: A sit down with Warfare’s director and cast
A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal