"An alternately rollicking and gutting work of apocalyptic camp. ... Lestat becomes, like its predecessor, an empathetic portrait of an immortal monster with human psychology."
"It’s bleak as hell, and it’s also the best House of the Dragon has ever been, clear-eyed about the story it’s telling and no longer so enamored with the people grasping for power or the dragons they use for their bidding."
"[Cape Fear] is, to be sure, a masterclass in tension, in taking things right to the edge of credulity but never over and it never forgets the power of the jump scare."
"I Am Frankelda can feel overstuffed with plotlines at times, but like a plastic jack-o’-lantern bucket overflowing with candy: bright, beautiful, spooky — and ultimately, a treat."
"[The Last One for the Road is] an existential story that is a less bleak and more scenic version of Samuel Beckett’s Waiting for Godot, a psychological journey about connection, regret, memory, and meaning."
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