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The Daily Watercooler

Watercooler Picks

Our writers, critics and experts are sifting through the scrolls to find the films and series that resonate. Read their picks below.

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guide to the best movies and tv shows
Josh Sharpe, Paste
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"[The New Look] successfully captures the utter horrors of war alongside the beauty of creation. The severity of one only emphasizes the gravity of the other. Together, they make something breathtaking, heartbreaking, and entirely worth watching."
guide to the best movies and tv shows
Adrian Horton, The Guardian
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In an interview with the director of They Called Him Mostly Harmless: “You can have a meaningful connection with somebody on one hand, and have done something really wrong. You can be both a good person and a bad person. And the internet at this moment is struggling to contain that.”
guide to the best movies and tv shows
Kelly Lawler, USA Today
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On One Day: "...a sweet (and often deeply sad) way to look at life, particularly the turbulent period of burgeoning adulthood, as people change and grow, and also regress."
guide to the best movies and tv shows
Nina Metz, The Chicago Tribune
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"Reservations aside, [Masters of the Air] worked like gangbusters on me for a different reason: It’s focused on capturing what it looks like — what it means, really — to work toward a common goal. To feel a deep sense of responsibility for one another."
guide to the best movies and tv shows
Emily Bernard, Collider
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"Mr. and Mrs. Smith, to its credit, is not like many other spy shows. It’s a thrilling escape from mundanity, yes, but it also tugs on your heartstrings as much as it focuses on its leads beating up the bad guys — if not more so."
guide to the best movies and tv shows
Barry Hertz, The Globe and Mail
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On Killers of the Flower Moon: "This is a master artist putting a stamp on not only his own career, but also the entirety of American cinema and, why not, American history, too."
guide to the best movies and tv shows
Jake Coyle, The Associated Press
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"Fallen Leaves is the best big-screen romance of the year even though its prospective lovers exchange only a handful of words and, for most of the film, don’t know each other’s names."
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