Felipe Patterson
Killers of the Flower Moon
An epic historical drama about an unsettling chapter in American history, Killers of the Flower Moon presents a captivating narrative with exceptional performances that keep you engaged throughout its three and a half hour duration. You’ll be hearing about this one throughout the awards season.
“Bargain” Showrunner on the Subtext You Might Miss
It’s been described by critics as “bonkers” (EW) with parallels to Squid Game (NYT), and the dark, binge-worthy disaster series earned high praise from audiences at Cannes Series, the TV equivalent of the Cannes Film Festival. Bargain begins with a group of strangers who have gathered at a mysterious remote motel. The men have been
An Interview with Talk to Me‘s Philippou Brothers
After crafting comedic horror sketches that went viral on YouTube (like the infamous “Ronald McDonald Playground Slaughter”), Talk to Me‘s Philippou Brothers Danny and Michael Philippou made the surprising leap into twin directors chairs to create A24’s spine-chilling new psychological horror hit, Talk to Me. The Australian-set feature debuted at Sundance to high praise, and
The Blackening Stars on Busting Tropes and Favorite Films
It may sound like a familiar premise with The Blackening Stars: During a weekend getaway in celebration of Juneteenth, a group of Black friends find themselves stranded inside a cabin, and forced to participate in a game by a disturbed killer. Jay Pharaoh, Antoinette Robinson, and Melvin Gregg. But this a different movie, and the
Beau is Afraid
A film for armchair psychologists and cult film fans, Beau is Afraid is a true original, a genre and mind-bending movie that will leave you trying to decipher fantasy from reality — much like our protagonist.
American Born Chinese
A surprising and often captivating take on the high school comedy, American Born Chinese blends the playful with the profound in a rare family watch that embraces Asian culture and heritage.
Behind the Scenes with Kandahar Director Ric Roman Waugh
Director Ric Roman Waugh is known for his high-octane, true-to-life action dramas, from Snitch (starring Dwayne Johnson) to National Champions (with J.K. Simmons) to The Angel Has Fallen (starring Gerard Butler). His latest film, Kandahar — in theaters Memorial Day Weekend — drops us into modern day Afghanistan, deep behind enemy lines, as an undercover
Class of ’09
A smart, complex, and timely take on the past and future of law enforcement in the U.S., Class of ’09 is sure to generate moral questions while driving much needed conversation.
Sidney
A stirring documentary about iconic actor and activist Sidney Poitier’s life and its impact — on Hollywood, on Black history, and on American history.
Felipe Patterson
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.
Why Andor is Luring in Non-Star Wars Fans
An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.
Why Andor is Luring in Non-Star Wars Fans
An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of