Patricia Danaher
Dead to Me Creator Liz Feldman on Death & Comedy in the Time of Corona
For someone who has spent most of her professional life writing comedy, Liz Feldman, creator of Dead to Me, has had death on her mind for a long time. The Emmy winner wrote jokes for Ellen Degeneres for several years, including for her Oscars hosting gigs, and has been in the world of television since
Unorthodox
A surprising and moving thriller about an unhappily married young Hasidic woman who dares to flee her suffocating life and marriage in an ultra-orthodox Brooklyn community.
Dead to Me
At a time when there is too much actual death everywhere in real life, Dead to Me is a tonic with both the unapologetic sharpness of the humor combined with its emotional groundedness.
Patricia Danaher
Summer Escape Binges: The Best Series to Transport You
The best escapist shows and movies with travel and exotic settings.
Beau is Afraid
A film for armchair psychologists and cult film fans, Beau is Afraid is a true original, a genre and mind-bending movie that will leave you trying to decipher fantasy from reality — much like our protagonist.
American Born Chinese
A surprising and often captivating take on the high school comedy, American Born Chinese blends the playful with the profound in a rare family watch that embraces Asian culture and heritage.
How to Fill the Succession Void
Whether you tuned in for the family dysfunction, the timely media-tech business stories, Shows About The Murdoch Family, the back-room political machinations, or the Greg and Tom comedy, Succession has captivated many of us over the past five years. Despite their treacherous behavior and ruthless, WTF insults, the characters and their plottings have become a
A 90s Slacker Film for the Reluctant College Grad
When Kicking and Screaming came out in 1995, it fit squarely within the youth culture of its time College Graduation Movies. With Clinton in the White House and the Pixies on the radio, apathy was par for the course. The term “slacker” became a signifier for a certain kind of seemingly unambitious cool-kid scene. Coming
Behind the Scenes with Kandahar Director Ric Roman Waugh
Director Ric Roman Waugh is known for his high-octane, true-to-life action dramas, from Snitch (starring Dwayne Johnson) to National Champions (with J.K. Simmons) to The Angel Has Fallen (starring Gerard Butler). His latest film, Kandahar — in theaters Memorial Day Weekend — drops us into modern day Afghanistan, deep behind enemy lines, as an undercover
Conversations with Friends
A captivating adaptation of Sally Rooney’s bestseller, Conversations with Friends takes you deep into in the agony and ecstasy of a secretive affair as well as an open relationship, and forces you to ask the big questions.
Wave Makers
The first Taiwan-based political drama available to a worldwide audience, Wave Makers is a groundbreaking political drama populated with relatable characters, timely issues, teachable moments, and engaging plots. A thoroughly engaging and positive wave of change in a sea of predictability and male-skewing political dramas.
Angel City
A goose-bump inspiring docuseries that takes us on to the field and into the surprising back story of how LA’s new professional women’s soccer team came to be, upending the model behind pro sports teams and finally, truly, changing the game.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.