Taneasha White

Taneasha White is a Black, Queer writer with a love for both words and community. Taneasha is the founding editor of UnSung Literary Magazine, and you can find some of her written work in VeryWell, Prism, Rewire.News, and more.
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Judas and The Black Messiah: How Impactful Work Still Leaves Black Youth Behind

It’s nominated for six Oscars, just earned a BAFTA for star Daniel Kaluuya’s performance, and made history as the first film with an entirely Black team of producers to earn a Best Picture nomination from the Academy. But is the history depicted in Judas and the Black Messiah a completely reliable picture? Directed by Shaka

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When Masculinity Meets Trauma: How Art Mirrors Life in Da 5 Bloods

The prevalent overarching themes of PTSD and harmful masculinity are interwoven very closely in Spike Lee’s latest project, mirroring star Chadwick Boseman’s secret fight with cancer while making the movie.

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Decision to Leave

A romantic Korean noir from legendary director Park Chan-wook, Decision to Leave compels as much for the chemistry between its detective and suspect as for the shocking psychological mystery that unfolds.

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Devotion

A gripping biopic about the Navy’s first Black fighter pilot – Jesse Brown – and the inspiring friendship that transcended racism and the conflicts of the Korean War. Starring Jonathan Majors and Glenn Powell.

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Causeway

After a traumatic brain injury, a US soldier (Jennifer Lawrence) confronts memory loss, PTSD, and her family as she finds an unlikely comrade on her path to recovery.

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Easter Sunday

A broad comedy about the Filipino diasporic experience that’s not heavy-handed or exploitative, Easter Sunday brings respect, dignity, and fun to an underrepresented group. It’s not perfect, but it’s a good start.

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Dead to Me (Season 3)

A form of cinematherapy, Dead to Me’s final season brings a big plot twist, one that can be emotionally provoking as well as a cathartic and entertaining conversation starter.

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Disenchanted

A joyful new Disney musical that pokes fun at its own tropes, Disenchanted brings back an effervescent Amy Adams from Enchanted in this sequel sure to work for all ages over the holidays.

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Fleishman is in Trouble

A tense marriage drama, Fleishman is in Trouble will resonate with its honest, sometimes brutal, sometimes quiet and subtle portrayal of the ways that a connection can break down, and how it’s important – in stories and in real-life – to recognize and acknowledge all sides of a relationship.

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What to Watch (and Avoid) with Friends and Family on Thanksgiving

What to watch – and what to skip – if you’re spending Thanksgiving with kids, teenagers, older generations, or all of them under one roof? Your 2022 Watercooler Guide to holiday movies.

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Banshees of Inisherin

Riotously funny while weighted by tragicomic depth, Banshees of Inisherin is exquisitely crafted with sharp writing and stunning photography that bring a distinct time and place to life. Expect to laugh, gasp and cry before the credits roll.

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The Umbrella Academy

The Umbrella Academy is a wildly imaginative take on the superhero genre, but it works mainly because of the strong characters and dysfunctional family at its core.

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Rutherford Falls

Rutherford Falls is a clever and sweet satire similar to Michael Schur’s other half-hour comedies. Like Parks and Recreation and The Good Place, it’s surprisingly deep and deserves just as much attention.

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Cha Cha Real Smooth

Cha Cha Real Smooth is a sweet, intimate antidote to all the noisy summer blockbusters out there. Filmmaker Cooper Raiff proves he’s someone to keep a close eye on.

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The 10 Best Episodes of Love, Death + Robots

Netflix’s animated anthology Love, Death + Robots includes so many worthwhile episodes, but these 10 are a great place to start.

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We are Lady Parts

This is a funny, endearing, fresh show that demonstrates what proper representation looks like.

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Why I’m Watching Ms. Marvel and You Should Too

Ms. Marvel delivers the representation Muslims finally deserve. And you don’t have to be Muslim to appreciate it.

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Fire Island

Fire Island is one of the best gay films released in recent memory. It’s funny, it’s romantic, and it is beautifully written, acted, and directed. It may not win Oscars–comedies rarely do; gay films more rarely still–but it is an instant classic that critics and audiences will be citing for years.

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