Taneasha White
Judas and The Black Messiah: How Impactful Work Still Leaves Black Youth Behind
It’s nominated for six Oscars, just earned a BAFTA for star Daniel Kaluuya’s performance, and made history as the first film with an entirely Black team of producers to earn a Best Picture nomination from the Academy. But is the history depicted in Judas and the Black Messiah a completely reliable picture? Directed by Shaka
When Masculinity Meets Trauma: How Art Mirrors Life in Da 5 Bloods
The prevalent overarching themes of PTSD and harmful masculinity are interwoven very closely in Spike Lee’s latest project, mirroring star Chadwick Boseman’s secret fight with cancer while making the movie.
The Mosquito Coast
Watching The Mosquito Coast, you get the sense that Apple TV+ was trying to make its version of Netflix’s immensely popular thriller series Ozark. And it succeeded.
The Best of What’s New on Netflix: May 2021
From Zach Snyder and Ryan Murphy’s latest to an all-star Hitchcockian thriller, May 2021 has some particularly promising new Netflix Originals.
Infinity Train
A thoughtful PG series full of imaginative designs and compelling, layered characters, Infinity Train finds the sweet spot between deeper philosophical themes and lighter, more whimsical fare.
IMPACT with Gal Gadot
After a year of devastating news that has so many feeling hopeless, IMPACT brings a much-needed jolt of inspiration.
What the Netflix Adaptation Gets Right About Shadow and Bone (and Six of Crows too)
Why does this peculiar adaptation, which on one hand is so true to the source material and on the other is a departure from a loved series, work? Because no expense was spared.
The Falcon and the Winter Soldier Recap Episode 6: “One World, One People”
So it turns out that The Falcon and the Winter Soldier is ultimately a story about the use of might for right, and who gets to decide the meaning of either.
Why Nomadland Would be a Worthy, Definitive Best Picture Winner for 2021
Chloe Zhao’s lyrical, masterful film about those forgotten on the fringes of American society has ratcheted up the momentum to be the favorite going into “Hollywood’s biggest night.” And it should be.
Shadow and Bone
Shadow and Bone is an immersive fantasy series that will make you care about its characters as much as its mythology. It’s well-written, well-acted, and looks beautiful.
WandaVision
With its wildly original tribute to 60s and 70s sitcoms, comic books and superhero movies, Emmy-nominated WandaVision delivers cross-generational appeal while challenging viewers to unravel a dark and complex Marvel mystery.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.