A revealing series that will shed some new light and spark conversations in your own life. As producer Raina Kelley sums up to the New York Times: “At its most important, it’s basically an example nowadays of how to have a civil conversation.”
A nuanced and riveting portrait of one of the most polarizing criminals in India, The Hunt for Veerappan is not afraid to delve into controversial points of view and share contrarian voices. More than anything, it encourages reflection and critical thinking — the ultimate goal of filmmaking.
A surprisingly profound, unique, and often mesmerizing docuseries about the human experience that doubles as a love letter to New York City.
A biopic of epic proportions, Oppenheimer is chock full of explosive blasts and guilty conscience. Flawless acting performances and artistic finesse make it a visual treat, while its relentless nature and powerful sense of injustice burn an image in your soul that doesn’t quite fade after leaving the theater.
Asteroid City is like a trip to a resort — it’s fun, colorful, outwardly buoyant and a little soulless, a potent combination that makes it both a pinnacle of Wes Anderson’s style and a slight miss as a narrative picture.
A film for armchair psychologists and cult film fans, Beau is Afraid is a true original, a genre and mind-bending movie that will leave you trying to decipher fantasy from reality — much like our protagonist.
A smart, complex, and timely take on the past and future of law enforcement in the U.S., Class of ’09 is sure to generate moral questions while driving much needed conversation.
An antidote to the darker worlds currently trending across the streamers, Lucky Hank also delivers a refreshingly new Bob Odenkirk character, a guy whose meltdown might just deliver your own much-needed catharsis — leaving you laughing and pondering and lingering to see what comes next.
A original take on both anthologies and road trip movies, The Seven Faces of Jane experiments with the “roads not taken” concept by tapping eight different directors, each one using a different genre and a different “Jane.”
