A biopic of epic proportions, Oppenheimer is chock full of explosive blasts and guilty conscience. Flawless acting performances and artistic finesse make it a visual treat, while its relentless nature and powerful sense of injustice burn an image in your soul that doesn’t quite fade after leaving the theater.
Asteroid City is like a trip to a resort — it’s fun, colorful, outwardly buoyant and a little soulless, a potent combination that makes it both a pinnacle of Wes Anderson’s style and a slight miss as a narrative picture.
A film for armchair psychologists and cult film fans, Beau is Afraid is a true original, a genre and mind-bending movie that will leave you trying to decipher fantasy from reality — much like our protagonist.
A smart, complex, and timely take on the past and future of law enforcement in the U.S., Class of ’09 is sure to generate moral questions while driving much needed conversation.
An antidote to the darker worlds currently trending across the streamers, Lucky Hank also delivers a refreshingly new Bob Odenkirk character, a guy whose meltdown might just deliver your own much-needed catharsis — leaving you laughing and pondering and lingering to see what comes next.
A original take on both anthologies and road trip movies, The Seven Faces of Jane experiments with the “roads not taken” concept by tapping eight different directors, each one using a different genre and a different “Jane.”
One of the best dramas of 2022, the Golden Globe-nominated Black Bird rises above other true crime shows as a psychological drama that peels away the layers to get to the moral questions beneath.
Capturing the wake of a critical moment in history through the eyes of a mother’s grief, Till walks a tightrope balancing the devastation of what happened with the power of what it inspired. It’s a movie you won’t want to turn away from.
Nope is a uniquely crafted horror film that brings together a creative premise, striking visuals, and terrific performances.