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Rutherford Falls

Rutherford Falls is a clever and sweet satire similar to Michael Schur’s other half-hour comedies. Like Parks and Recreation and The Good Place, it’s surprisingly deep and deserves just as much attention.

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The Boys

The Boys has shock value, action, and gore, but also peels back the layers of its characters, making even the super-humans seem more human.

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Abbott Elementary

Abbott Elementary will catch you off guard and surprise you. It captures the balance between comedy and heart, much like its mockumentary predecessors—but with a new spin, because the work these characters are doing truly matters.

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Our Flag Means Death

Our Flag Means Death is a fun escape into the absurd, and we could all use a reminder that even in the 1700s people had mid-life crises and needed to escape reality as much as we do today.

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Severance

Severance is unlike any other show on TV right now. It builds slowly, drawing you in with stylish minutiae, but then intensifies, goes deeper, and becomes more paranoia-inducing with each successive episode.

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Letterkenny

Contrary to typical portrayals of small-town folks, the residents of Letterkenny are quick-witted and fully aware of broader social issues. Though they trade unrelenting insults, the warring factions come together more than once to defend one of their own.

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The French Dispatch

This is the most Andersonian of Wes Anderson’s movies so far, and arguably his most ambitious work to date. You may find yourself craving more and wanting to re-watch it immediately to pick up what you missed amongst the sensory overload.

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