Emi Eleode

Emi Eleode is a UK-based freelance journalist who has written for BBC, The Guardian, Artsy, The Art Newspaper, ARTnews, Wallpaper* and other outlets. She writes about the arts and culture with a lens on social issues in the world.
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From Aristocrat to Waiter in a Grand Hotel: A Gentleman in Moscow

It’s 1920s Moscow, four years after the start of the Russian Revolution. The aristocracy has been put on trial, staring down their inevitable doom. Count Alexander Rostov, a Russian aristocrat, is sentenced by a Bolshevik tribunal for “social parasitism” — the crime of living off of the efforts of others. His fate is surely death,

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A Watercooler Watch: Barbara Walters: Tell Me Everything

Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

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A Need-to-Know Guide to The Buccaneers

Was life in the Gilded Age all that gilded?  In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.”  Apple TV’s The Buccaneers, which just returned for its second season,

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

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A Need-to-Know Guide to And Just Like That…

It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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Boyhood

Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations. 

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Life Changers: The Year’s Best Storytelling for the Planet

If you’ve been looking for a way to manage the overwhelming news about the state of our planet, you could begin by watching a few of the recent films and TV shows that shine a light on some of our biggest issues — and show us what we can do about them. According to a

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Never Have I Ever

A fresh coming-of-age dramedy, Never Have I Ever depicts how the death of a loved one can impact teens’ mental health, as well as a parent’s wellbeing. Families enduring similar struggles will find relatability and reassurance to know they’re not alone.

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We are Lady Parts

This is a funny, endearing, fresh show that demonstrates what proper representation looks like.

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The Classic Film Education in Colin Farrell’s Sugar 

The classic film education in Colin Ferrell’s Apple TV+ detective series “Sugar” has something to tell us. Our writer Felipe Patterson breaks them down and sheds light on their cultural significance.

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What Franklin Can Teach Us About Diplomacy

As conflicts rage on across the world and the need for diplomacy rises, the new Apple TV+ series Franklin — about America’s first diplomat — offers lessons for our times, as a former speechwriter for the US Ambassador to the UN explains.

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The Big Door Prize

A fresh, lighthearted comedy that doubles as a philosophical sci-fi mystery, The Big Door Prize’s biggest question is that regardless of how much we have, are we ever truly satisfied? And that’s a poignant query in our consumer-driven, must-document-every-moment-on-social-media world.

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You’re the Worst

Through the eyes of two cynics who seem doomed to be alone, You’re the Worst embraces the complexity of modern relationships and the many emotional layers they surface. It’s also an accurate and empathetic portrait of what it’s like to live with clinical depression.

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The stars of Manhunt on the history we did not learn

It’s a story that none of us learned in history classes, and it unfolds as a taut, complex conspiracy thriller — one that raises all new questions. Set in 1865, Manhunt focuses on the aftermath of one of America’s most tragic events: the assassination of Abraham Lincoln. With all of the biopics, TV shows, and

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The Iron Claw

A moving and nostalgic homage to the sport of wrestling and one of its most beloved families, Iron Claw will fully immerse you into an era and a world that many misunderstand, ultimately telling a story about the potency of a family’s bonds.

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