Felipe Patterson

Felipe Patterson is a member of the African American Film Critics Association and the Critics Choice Association. He co-created the column #BlackLoveConvo and also writes for Taji, VICE, and OZY. His Instagram: @fdapperdr.
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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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Inside the War Zone: A sit down with Warfare’s director and cast

A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal

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Black Bag

A taut, stylish and steamy take on the high-stakes espionage thriller, Steven Soderbergh’s Black Bag keeps you second-guessing every character’s motives until the very end. The tension, the suspicion, the sense that the walls are closing in? It’s all here.

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You Hurt My Feelings

A rare grown-up comedy that hits home while delivering an escape, You Hurt My Feelings has something to say about the power of both honesty and vulnerability in helping us connect.

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Conclave

Conclave transcends its rich setting to tell a universally compelling story about power, morality, and the fundamental human condition — which no amount of religious ceremony, historical weight, or status can change.

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The Brutalist

Blending raw emotion, breathtaking cinematography, and a narrative that speaks to the resilience of the human spirit, The Brutalist is a top 2025 Oscar contender and a must-watch for lovers of bold, novelistic storytelling, American history, and cinematic experiences.

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Rising Star: Our Interview with Dune & The Ministry of Ungentlemanly Warfare‘s Babs Olusanmokun

He is best known for his recent breakout sci-fi roles – from the fierce fighter Doctor M’Benga in Star Trek: Strange New Worlds to Jamis – the Freman and best friend to the protagonist Paul – in Dune Parts One and Two.   But Babs Olusanmokun has been acting for two decades. A Nigerian-American who speaks

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Nosferatu

A cinematic experience that earns its many award nominations, Nosferatu (2024) is as much a meditation on the human frailty that leads to doomed obsession as it is a haunting epic about a vampire.

Felipe Patterson

Felipe Patterson is a member of the African American Film Critics Association and the Critics Choice Association. He co-created the column #BlackLoveConvo and also writes for Taji, VICE, and OZY. His Instagram: @fdapperdr.
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Asteroid City

Asteroid City is like a trip to a resort — it’s fun, colorful, outwardly buoyant and a little soulless, a potent combination that makes it both a pinnacle of Wes Anderson’s style and a slight miss as a narrative picture.

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Riviera

If you’re looking for a glitzy, sexy, escape, Riviera serves up three seasons of a lush, soapy mystery series dripping in yachts, conspiracies, globe trotting art world intrigue, and spy thriller plots that include a somewhat timely Russian threat.

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What AI Can’t Tell You About The Bear S2

The Bear just returned for its second season The Bear Season 2 on Hulu, and we threw a party in Brooklyn, home of star Jeremy Allen White. For the uninitiated, and those unwittingly relying on AI bot reviews, we are talking about the show set in a Chicago sandwich shop – not the movie about

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The Bear S1

The Bear is a fast-tempo character study set behind the scenes of a family-run Chicago restaurant. It invites you in to pull up a chair and watch the drama unfold, but never lets you get too comfortable.

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The Blackening Stars on Busting Tropes and Favorite Films

It may sound like a familiar premise with The Blackening Stars: During a weekend getaway in celebration of Juneteenth, a group of Black friends find themselves stranded inside a cabin, and forced to participate in a game by a disturbed killer.  Jay Pharaoh, Antoinette Robinson, and Melvin Gregg. But this a different movie, and the

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Are You There God? It’s Me, Margaret.

Stories about pre-teen girls find a natural rhythm with the hero’s journey. The call to adventure, facing allies and enemies, crossing the threshold of the mortal world—an eleven-year-old girl can experience all of this during one lunch period. When Margaret moves from Manhattan to suburban New Jersey, it begins her harrowing journey through the messiness,

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Summer Escape Binges: The Best Series to Transport You

The best escapist shows and movies with travel and exotic settings.

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Beau is Afraid

A film for armchair psychologists and cult film fans, Beau is Afraid is a true original, a genre and mind-bending movie that will leave you trying to decipher fantasy from reality — much like our protagonist.

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

Read More »
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A Need-to-Know Guide to And Just Like That…

It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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Boyhood

Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations. 

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Why Andor is Luring in Non-Star Wars Fans

An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of

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