
Felipe Patterson

A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

Inside the War Zone: A sit down with Warfare’s director and cast
A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal

Black Bag
A taut, stylish and steamy take on the high-stakes espionage thriller, Steven Soderbergh’s Black Bag keeps you second-guessing every character’s motives until the very end. The tension, the suspicion, the sense that the walls are closing in? It’s all here.

You Hurt My Feelings
A rare grown-up comedy that hits home while delivering an escape, You Hurt My Feelings has something to say about the power of both honesty and vulnerability in helping us connect.

Conclave
Conclave transcends its rich setting to tell a universally compelling story about power, morality, and the fundamental human condition — which no amount of religious ceremony, historical weight, or status can change.

The Brutalist
Blending raw emotion, breathtaking cinematography, and a narrative that speaks to the resilience of the human spirit, The Brutalist is a top 2025 Oscar contender and a must-watch for lovers of bold, novelistic storytelling, American history, and cinematic experiences.

Rising Star: Our Interview with Dune & The Ministry of Ungentlemanly Warfare‘s Babs Olusanmokun
He is best known for his recent breakout sci-fi roles – from the fierce fighter Doctor M’Benga in Star Trek: Strange New Worlds to Jamis – the Freman and best friend to the protagonist Paul – in Dune Parts One and Two. But Babs Olusanmokun has been acting for two decades. A Nigerian-American who speaks

Nosferatu
A cinematic experience that earns its many award nominations, Nosferatu (2024) is as much a meditation on the human frailty that leads to doomed obsession as it is a haunting epic about a vampire.

Felipe Patterson

Our Flag Means Death
Our Flag Means Death is a fun escape into the absurd, and we could all use a reminder that even in the 1700s people had mid-life crises and needed to escape reality as much as we do today.

Pam & Tommy
Riding the current trend of dramatized real-life events to the limits, Pam & Tommy does an excellent job of comparing what happened to everyone involved with our still-evolving attitudes surrounding sex, consent, and pornography today.

Together Together
This film is heartwarming and heartbreaking in all the ways you want in a character-driven indie about a subject matter that we need to talk more about.

Catching up on Outlander: The Story So Far
Outlander is finally back after two long years and we’ve got a handy refresher to catch you up on everything that’s happened since Season 1.

Understanding Russia & Ukraine: What to Watch for Context
The best films and series to watch for a deeper understanding of Russia’s invasion of Ukraine and the historical events that led up to the current conflict.

Oscar Broadcasts Then and Now: How the Academy Awards Have Changed
The Academy has drawn criticism for changing the format of the Oscars this year, but it’s not the first time they’ve switched things up.

King Richard
A riveting and thoughtful look at all of the extraordinary members of the Williams family, King Richard is the rare Oscar caliber film that entertains as it inspires, shedding new light on the lives of two of the most iconic athletes of our time and what they and their parents had to overcome.

No Exit
A slow-paced, unpredictable thriller with a surprise twist, No Exit challenges the viewer as it tests its protagonist to overcome her painful past. The chilling world and intense final act make the movie a must-watch.

Severance
Severance is unlike any other show on TV right now. It builds slowly, drawing you in with stylish minutiae, but then intensifies, goes deeper, and becomes more paranoia-inducing with each successive episode.

A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.

Why Andor is Luring in Non-Star Wars Fans
An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of