Katie Rife

Katie Rife is a writer and film critic based in Chicago. She worked as the Senior Writer for The A.V. Club from 2019-2022, and News Editor from 2014-2019. She currently freelances for outlets like Rolling Stone, Vulture, Indiewire, EW, and Fangoria, and assists with year-round horror programming at the Music Box of Horrors.
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Old Enough!

Though the idea of sending a three-year-old to the supermarket by themselves might seem terrifying, the Japanese documentary series Old Enough! is hardly a white-knuckle experience. It’s a sweet and watchable show showcasing the kids’ natural charisma.

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Judas and The Black Messiah: How Impactful Work Still Leaves Black Youth Behind

It’s nominated for six Oscars, just earned a BAFTA for star Daniel Kaluuya’s performance, and made history as the first film with an entirely Black team of producers to earn a Best Picture nomination from the Academy. But is the history depicted in Judas and the Black Messiah a completely reliable picture? Directed by Shaka

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Can the BAFTAs Predict the 2021 Oscar Winners?

Let us explore some of the big wins from across the pond and how they might affect this year’s Academy Awards, now less than two weeks away.

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The Falcon and the Winter Soldier Recap Episode 4: “The Whole World is Watching”

This episode lays everything out on the table, with a gripping story about how great power can corrupt greatly, at any turn, revealing the strengths and vulnerabilities of each character.

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Mank

For a history lesson and trip down memory lane, movie fans should not skip Mank, a tribute to the cinematic legend of Citizen Kane.

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The Great Pottery Throw Down

Watching a group of craftsman create practical works of art before your eyes isn’t just entertaining, it’s a soothing escape from your day-to-day troubles.

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The Falcon and the Winter Soldier Recap Episode 3: “Power Broker”

The exposition is very heavy in this one, because it has to be—there are only three episodes (!) left. It’s worth it just to see Zemo dancing, though.

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What Will We Watch Post-Coronavirus?

Past as Prologue The Coronavirus is fundamentally reshaping our world, including the entertainment industry. Already Hollywood has scuttled production schedules, streamed would-be wide theatrical releases, and adopted DIY production values, with late shows helmed from hosts’ homes and FaceTime-powered interview series. Though the production side of content will likely return to “normal” once this is

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Uncle Frank

At a time when families have been divided by political disagreements, Uncle Frank explores the enduring, loving bonds of family and the ways they link us together – whether we live close or worlds apart.

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Hello, Me!

More laughter than tears, Hello, Me is a quirky crowd pleaser. Plot holes may arise from the time-travel storyline, but give yourself permission to enter the fantasy.

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A Need-to-Know Guide to And Just Like That…

After a two year wait, Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and the inevitable rainy weekends, And Just Like That might be

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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Boyhood

Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations. 

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Why Andor is Luring in Non-Star Wars Fans

An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of

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Inside the War Zone: A sit down with Warfare’s director and cast

A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal

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