Patricia Danaher
Dead to Me Creator Liz Feldman on Death & Comedy in the Time of Corona
For someone who has spent most of her professional life writing comedy, Liz Feldman, creator of Dead to Me, has had death on her mind for a long time. The Emmy winner wrote jokes for Ellen Degeneres for several years, including for her Oscars hosting gigs, and has been in the world of television since
Unorthodox
A surprising and moving thriller about an unhappily married young Hasidic woman who dares to flee her suffocating life and marriage in an ultra-orthodox Brooklyn community.
Dead to Me
At a time when there is too much actual death everywhere in real life, Dead to Me is a tonic with both the unapologetic sharpness of the humor combined with its emotional groundedness.
Patricia Danaher
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.
Theater Camp
Theater Camp is a treat for those who remember what it’s like to be young and to have a dream, and who haven’t forgotten all the sweat and ambition that comes with it, and how it can feel like the most important thing that has ever happened. The world of AdirondACTS is richly envisioned, and
Welcome, or No Trespassing
An intriguing time capsule of a film with an original take on the summer camp movie, Welcome, or No Trespassing is also a biting social satire of the autocratic Soviet regime.
Asteroid City
Asteroid City is like a trip to a resort — it’s fun, colorful, outwardly buoyant and a little soulless, a potent combination that makes it both a pinnacle of Wes Anderson’s style and a slight miss as a narrative picture.
Riviera
If you’re looking for a glitzy, sexy, escape, Riviera serves up three seasons of a lush, soapy mystery series dripping in yachts, conspiracies, globe trotting art world intrigue, and spy thriller plots that include a somewhat timely Russian threat.
What AI Can’t Tell You About The Bear S2
The Bear just returned for its second season The Bear Season 2 on Hulu, and we threw a party in Brooklyn, home of star Jeremy Allen White. For the uninitiated, and those unwittingly relying on AI bot reviews, we are talking about the show set in a Chicago sandwich shop – not the movie about
The Bear S1
The Bear is a fast-tempo character study set behind the scenes of a family-run Chicago restaurant. It invites you in to pull up a chair and watch the drama unfold, but never lets you get too comfortable.
The Blackening Stars on Busting Tropes and Favorite Films
It may sound like a familiar premise with The Blackening Stars: During a weekend getaway in celebration of Juneteenth, a group of Black friends find themselves stranded inside a cabin, and forced to participate in a game by a disturbed killer. Jay Pharaoh, Antoinette Robinson, and Melvin Gregg. But this a different movie, and the
Are You There God? It’s Me, Margaret.
Stories about pre-teen girls find a natural rhythm with the hero’s journey. The call to adventure, facing allies and enemies, crossing the threshold of the mortal world—an eleven-year-old girl can experience all of this during one lunch period. When Margaret moves from Manhattan to suburban New Jersey, it begins her harrowing journey through the messiness,