Taiwo Shobajo
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Being in the mind of anti-hero Joe Goldberg is just as unsettling and addicting as the serial stalker’s own obsessions. If you’re not put off by that, it’s an entertaining social commentary that questions viewers’ perceptions of good, evil, and who deserves redemption.
Gossip Girl (2021)
With a witty script packed with up-to-the-second cultural references and tear-jerking teen angst, a gorgeous cast, and a sumptuously-lit Manhattan for a backdrop, the show is a diverting addition to the teen-drama pantheon
Y: The Last Man
Y: The Last Man is a captivating, possibly triggering story, from the first minute, when you start counting the men who are about to die and caring about the women who love them.
Curse of the Chippendales
A can’t-look-away docu-series about the infamous male stripper group, and the drugs, envy, greed, and even murder that were rampant behind-the-scenes.
The Wonder Years (2021)
Fans of the original show will love the familiar premise, while new viewers will enjoy the chemistry of the cast and the hilarity of the writing.
Love on the Spectrum
A charming docu-series that educates viewers on what it means to be on the Autism spectrum, Love on the Spectrum is also a testament to the universal power of love.
The Bold Type
The Bold Type centers female friendship and takes on many of the issues facing young women today, but it doesn’t leave out the escapism and the fun.
The Eyes of Tammy Faye
As silly as Tammy Faye Bakker seemed on the surface, behind the layers of make-up and over-the-top TV persona was a strong, resilient woman, someone whose story sheds light on the growing power and greed of mass-marketed evangelicals.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.