Xoan-Carlos Leon

Xoan-Carlos (XC) Leon is a former writer for the Financial Times and currently a UK-based financial editor at a US investment bank. A Film Studies minor, XC has a longstanding interest in European and Latin America film and manages several social media sites specializing on the film of Wes Anderson.
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The French Dispatch

This is the most Andersonian of Wes Anderson’s movies so far, and arguably his most ambitious work to date. If you haven’t enjoyed his movies in the past The French Dispatch might not be for you.

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Industry

Industry is a series fueled by greed, drugs, sex, and money, and provides all of these ingredients in Federal Reserve-sized quantities. There’s never a dull moment.

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Sex Education

This hilarious and endearing teen dramedy will pull at your heartstrings and also make you burst out laughing. You may even learn a bit about sex and relationships.

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International Teen Shows to Stream after Sex Education

Thanks to the miracle of streaming, there is now a whole bevy of international teen shows to watch, focusing on issues that are both universal and unique to their country of origin.

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AlRawabi School for Girls

AlRawabi School for Girls is a binge-worthy teen drama that is not only well written, but features a stellar cast of newcomers. While the plot is fairly universal, the insight it offers into Jordanian culture is what makes it stand out.

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Somebody Feed Phil

Despite being in foreign places and navigating unfamiliar cultures, Rosenthal demonstrates to his viewers just how food connects people from all over the world.

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Come From Away

If you want to understand the impact of 9/11 but all the coverage is getting you down, Come from Away should lift your spirits and renew your hope.

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Worth

Worth puts a renewed focus on the attacks of Sept. 11 and the aftermath of a country in mourning. There is plenty of sadness, but also big moral questions to ponder and some great performances by the talented cast.

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What You Need to Know About Impeachment: American Crime Story

Each season of FX’s American Crime Story franchise, executive producer Ryan Murphy and his team of collaborators dramatize a true crime that dominated headlines in the ‘90s. It’s renowned for finding fresh, compelling angles that re-evaluate well-known stories while providing juicy parts for ambitious actors. The first season, The People v. O.J. Simpson, came out

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The Voyeurs

A fun, sexy revival of a lost genre with a modern twist. If you like movies that make you feel a little bit dirty for enjoying them, The Voyeurs will float your boat.

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What We Do in the Shadows

This series commits to the mockumentary bit in every possible way, allowing you to easily invest in these weirdos. And part of the fun is unpacking all the ways they map over quotidian quibbles with vampiric specifics.

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The Umbrella Academy

The Umbrella Academy is a wildly imaginative take on the superhero genre, but it works mainly because of the strong characters and dysfunctional family at its core.

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Rutherford Falls

Rutherford Falls is a clever and sweet satire similar to Michael Schur’s other half-hour comedies. Like Parks and Recreation and The Good Place, it’s surprisingly deep and deserves just as much attention.

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Cha Cha Real Smooth

Cha Cha Real Smooth is a sweet, intimate antidote to all the noisy summer blockbusters out there. Filmmaker Cooper Raiff proves he’s someone to keep a close eye on.

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The 10 Best Episodes of Love, Death + Robots

Netflix’s animated anthology Love, Death + Robots includes so many worthwhile episodes, but these 10 are a great place to start.

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We are Lady Parts

This is a funny, endearing, fresh show that demonstrates what proper representation looks like.

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Why I’m Watching Ms. Marvel and You Should Too

Ms. Marvel delivers the representation Muslims finally deserve. And you don’t have to be Muslim to appreciate it.

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Fire Island

Fire Island is one of the best gay films released in recent memory. It’s funny, it’s romantic, and it is beautifully written, acted, and directed. It may not win Oscars–comedies rarely do; gay films more rarely still–but it is an instant classic that critics and audiences will be citing for years.

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