Xoan-Carlos Leon
Industry S1
Industry is a series fueled by greed, drugs, sex, and money, and provides all of these ingredients in Federal Reserve-sized quantities. There’s never a dull moment.
The French Dispatch
This is the most Andersonian of Wes Anderson’s movies so far, and arguably his most ambitious work to date. You may find yourself craving more and wanting to re-watch it immediately to pick up what you missed amongst the sensory overload.
The Umbrella Academy
The Umbrella Academy is a wildly imaginative take on the superhero genre, but it works mainly because of the strong characters and dysfunctional family at its core.
Old Enough!
Though the idea of sending a three-year-old to the supermarket by themselves might seem terrifying, the Japanese documentary series Old Enough! is hardly a white-knuckle experience. It’s a sweet and watchable show showcasing the kids’ natural charisma.
Rutherford Falls
Rutherford Falls is a clever and sweet satire similar to Michael Schur’s other half-hour comedies. Like Parks and Recreation and The Good Place, it’s surprisingly deep and deserves just as much attention.
The 10 Best Episodes of Love, Death + Robots
Netflix’s animated anthology Love, Death + Robots includes so many worthwhile episodes, but these 10 are a great place to start.
Why I’m Watching Ms. Marvel and You Should Too
Ms. Marvel delivers the representation Muslims finally deserve. And you don’t have to be Muslim to appreciate it.
Fire Island
Fire Island is one of the best gay films released in recent memory. It’s funny, it’s romantic, and it is beautifully written, acted, and directed. It may not win Oscars–comedies rarely do; gay films more rarely still–but it is an instant classic that critics and audiences will be citing for years.
Ms. Marvel
Ms. Marvel is a fun and joyful teen superhero series that plays close to the comics and other cinematic influences, but ultimately follows its own path.
Everything You Need to Know Before Jurassic World: Domination
With Jurassic World: Dominion hitting theaters soon, we’ve got to wonder why no one ever learns the lessons of the previous films.
The Boys
The Boys has shock value, action, and gore, but also peels back the layers of its characters, making even the super-humans seem more human.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.