Last Night in Soho
Last Night in Soho takes horror and coming-of-age tropes and subverts them in a stylish thriller that has more depth than meets the eye.
Last Night in Soho takes horror and coming-of-age tropes and subverts them in a stylish thriller that has more depth than meets the eye.
There’s no better focal point to examine the turbulent racial, religious, cultural, and political currents that shook America throughout the 1960s and 70s than Ken Burns’ Muhammad Ali. Ali transcended the narrow theater of sport to become, for a time, the most famous man alive.
You go for The Rock’s charismatic winks and buff poise, but you stay watching Red Notice for Ryan Reynolds as Deadpool as an art thief. Add in a pinch of Indiana Jones action and Wonder Woman-turned-villainous, and we have a surprising hit on our hands.
A Marvel movies this also wholeheartedly Chloé Zhao’s movie, too; a kinder, gentler tale of God-like creatures that’s rooted in nature, humanity, and the fierce drive to protect what you love at all costs. Add in a few honestly surprising plot twists, and you have a little bit of something for everyone.
Only Murders in the Building is a gripping mystery with a touch of comedy, a strong sense of style, and charm to spare. There’s nothing else like it on TV right now.