Though the idea of sending a three-year-old to the supermarket by themselves might seem terrifying, the Japanese documentary series Old Enough! is hardly a white-knuckle experience. It’s a sweet and watchable show showcasing the kids’ natural charisma.
Rutherford Falls is a clever and sweet satire similar to Michael Schur’s other half-hour comedies. Like Parks and Recreation and The Good Place, it’s surprisingly deep and deserves just as much attention.
Fire Island is one of the best gay films released in recent memory. It’s funny, it’s romantic, and it is beautifully written, acted, and directed. It may not win Oscars–comedies rarely do; gay films more rarely still–but it is an instant classic that critics and audiences will be citing for years.
The Bob’s Burgers Movie is an entertaining animated comedy made especially for fans of the show. But you can still enjoy it if you’re a newcomer, and it might even inspire you to go back and watch some episodes for more of this family’s crazy antics.
Hacks is one of the best comedies on TV right now. And if you don’t believe us, we’ve got the receipts to prove it.
The Unbearable Weight of Massive Talent is a fun time filled with impressive acting by its talented cast. Between the laughs, heartfelt moments, and action, this flick checks off all the genres in Cage’s filmography.
Everything Everywhere All At Once is a collage of farce, action, sci-fi, and metaphysical drama that’s entertaining, yet not overdone.
Abbott Elementary will catch you off guard and surprise you. It captures the balance between comedy and heart, much like its mockumentary predecessors—but with a new spin, because the work these characters are doing truly matters.
The Adam Project is one of those movies you go into imagining big explosions and kids hilariously making life-or-death decisions (like Zathura, for example). And, to be sure it throws everything it has at the wall and then some: time-travel jiu jitsu soldiers, a stacked all-star cast, and lots of heart.
Our Flag Means Death is a fun escape into the absurd, and we could all use a reminder that even in the 1700s people had mid-life crises and needed to escape reality as much as we do today.