A fresh, lighthearted comedy that doubles as a philosophical sci-fi mystery, The Big Door Prize’s biggest question is that regardless of how much we have, are we ever truly satisfied? And that’s a poignant query in our consumer-driven, must-document-every-moment-on-social-media world.
Through the eyes of two cynics who seem doomed to be alone, You’re the Worst embraces the complexity of modern relationships and the many emotional layers they surface. It’s also an accurate and empathetic portrait of what it’s like to live with clinical depression.
A fresh spin on the campy monster comedy that fully embraces the absurdities of its source material, Lisa Frankenstein subverts familiar tropes and charts its own imaginative path, ultimately moving the genre forward.
Things will likely work out the way it’s supposed to on Doctor Slump, but for a show of this ilk, it’s the journey that’s important and not the destination. For that, it’s a cathartic viewing experience for anyone in a slump – with a few laughs to lighten the mood.
As strange as it is funny and as thoughtful as it is surprising, The Curse is as unique a viewing experience as they come. I was first drawn in by the sharp satire and stayed for the company of its richly envisioned characters.
The power of chords and lyrics to inspire, connect, and entwine us are at the heart of Flora and Son, an ultimately uplifting story from the writer-director behind Once and Sing Street.
A cross-generation comedy drama that’s earned five Academy Award nominations, The Holdovers will tug at your heartstrings as it wrestles with themes of grief and loneliness, and it will ultimately nurture hope.
A fun, comical, unexpected breath of fresh air, Scott Pilgrim vs the World blends cleverly crafted action with a story about how to deal with the pain of young love, accept ourselves and move on – shifting our focus from the past to the present.
For lovers of the classic teen sex comedy, Bottoms has much to offer: well-played comedy, over-the-top antics, and underdogs to root for. But those in the market for something fresh will be even more rewarded, as the film flips the script on a well-worn genre. Deservedly so, because anyone who’s been an awkward teen girl probably related more to Jonah Hill in Superbad than they did Emma Stone. At least this writer.
A surprisingly profound, unique, and often mesmerizing docuseries about the human experience that doubles as a love letter to New York City.