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The Worst Person in the World
The Worst Person in the World is a fluidly told story not about love, but instead about self-awareness, acceptance, and the persistent insecurity that accompanies the pursuit of both.
The Worst Person in the World is a fluidly told story not about love, but instead about self-awareness, acceptance, and the persistent insecurity that accompanies the pursuit of both.
Nightmare Alley is an intriguing noir film with interesting characters, rich performances, and a fantastic exploration of a mystic world through the stylized lens of Guillermo del Toro.
This film might break your heart, but it also might inspire you to action. I ended up energized by the idea that we can reverse the loss of wildlife and slow the pace of climate change, and that doing so will make our lives better.
The Lost Daughter proves that Gyllenhaal has a gift for directing and screenwriting. She’s made a film about real, complex people that sticks with you.
Archive 81 is a binge-worthy, well-paced horror/sci-fi series that will keep viewers intrigued and filled with anticipation during each of its eight gripping episodes. It’s edge-of-your seat good!
Yellowjackets is a dark and potent cocktail, mixing genres in a way that makes it fresh and different from anything you’ve seen before. It digs deep into the human psyche, testing the boundaries of what its characters (and audience) can endure, but also keeps you wanting more.
The Power of the Dog delivers amazing vistas and performances, some of which may still be seared in the mind after viewing. There is a uniqueness in the story and in the acting, thanks to the joint efforts of Campion and Cumberbatch.
A stupendously prescient and relevant post-pandemic drama with a strong undercurrent of hope and a clear faith in humanity. When the novel debuted a half-decade ago, it felt like a wonderful work of science-fiction. Not anymore.
If you’re a fan of Spider-Man in any form, No Way Home is not to be missed. Just be prepared for an emotional workout, with wild swings worthy of the web-slinger himself.
A nuanced and beautiful look at the way race and the constructs of race shapes our lives, with wonderful performances by its two leading ladies.