Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.
An immersive must-watch embraced by critics, the new Shōgun brings a new perspective on the epic historical drama about the battle between East and West in 17th century Japan.
A clever, fun, and laugh-out-loud escape watch, See How They Run is a cheeky send-up of an Agatha Christie whodunit with just enough mystery, farce, and talent to keep you immersed.
A visually pleasing, mostly accurate adaptation of one of the most catastrophic events in history, Pompeii is the type of disaster film that you don’t need to take seriously to enjoy. The story may present only surface-level characters, but it turns into a fiery spectacle that is hard to look away from.
A clever, dark and salacious historical drama that brings a much overlooked chapter of European history to vivid life. Mary & George is a richly drawn, rough and raunchy story about the quest for power – and survival – in 16th century England.
A fun, comical, unexpected breath of fresh air, Scott Pilgrim vs the World blends cleverly crafted action with a story about how to deal with the pain of young love, accept ourselves and move on – shifting our focus from the past to the present.
A date night movie that transports you to a lush 1960s French Riviera, the adaptation of the JoJo Moyes novel entwines two eras and two sharply contrasted romances, delivering a wistful summer escape watch.
An endearing time capsule of a film that your great (great) grandparents likely watched, The Freshman captures the innocence and physical antics of silent era comedy with a clever story that even overstimulated kids would get a kick out of.
An intriguing time capsule of a film with an original take on the summer camp movie, Welcome, or No Trespassing is also a biting social satire of the autocratic Soviet regime.
Asteroid City is like a trip to a resort — it’s fun, colorful, outwardly buoyant and a little soulless, a potent combination that makes it both a pinnacle of Wes Anderson’s style and a slight miss as a narrative picture.