
The Lost Daughter
The Lost Daughter proves that Gyllenhaal has a gift for directing and screenwriting. She’s made a film about real, complex people that sticks with you.
The Lost Daughter proves that Gyllenhaal has a gift for directing and screenwriting. She’s made a film about real, complex people that sticks with you.
Yellowjackets is a dark and potent cocktail, mixing genres in a way that makes it fresh and different from anything you’ve seen before. It digs deep into the human psyche, testing the boundaries of what its characters (and audience) can endure, but also keeps you wanting more.
George Clooney directs a compelling movie with relatable and easy-to-root-for characters. The Tender Bar manages to have the emotional depth of any other Oscar contender but without the expected sadness or sturm and drang.
The Power of the Dog delivers amazing vistas and performances, some of which may still be seared in the mind after viewing. There is a uniqueness in the story and in the acting, thanks to the joint efforts of Campion and Cumberbatch.
This is the most Andersonian of Wes Anderson’s movies so far, and arguably his most ambitious work to date. You may find yourself craving more and wanting to re-watch it immediately to pick up what you missed amongst the sensory overload.
A stupendously prescient and relevant post-pandemic drama with a strong undercurrent of hope and a clear faith in humanity. When the novel debuted a half-decade ago, it felt like a wonderful work of science-fiction. Not anymore.
If you’re a fan of Spider-Man in any form, No Way Home is not to be missed. Just be prepared for an emotional workout, with wild swings worthy of the web-slinger himself.
A nuanced and beautiful look at the way race and the constructs of race shapes our lives, with wonderful performances by its two leading ladies.
Last Night in Soho takes horror and coming-of-age tropes and subverts them in a stylish thriller that has more depth than meets the eye.