For lovers of the classic teen sex comedy, Bottoms has much to offer: well-played comedy, over-the-top antics, and underdogs to root for. But those in the market for something fresh will be even more rewarded, as the film flips the script on a well-worn genre. Deservedly so, because anyone who’s been an awkward teen girl probably related more to Jonah Hill in Superbad than they did Emma Stone. At least this writer.
Theater Camp is a treat for those who remember what it’s like to be young and to have a dream, and who haven’t forgotten all the sweat and ambition that comes with it, and how it can feel like the most important thing that has ever happened. The world of AdirondACTS is richly envisioned, and the purpose of the movie is to relish in it – a haven away from the real world where everyone knows who Fosse is, and is excited to teach you some steps.
The Bear is a fast-tempo character study set behind the scenes of a family-run Chicago restaurant. It invites you in to pull up a chair and watch the drama unfold, but never lets you get too comfortable.
A surprisingly sweet satire about fame in all its forms, The Other Two proves that not even superstars have it easy. But with the support of family — biological or created — making it as an actor/writer/manager/singer/fashion designer/talk show host/influencer is a little more feasible.
The filet mignon of stories about pettiness and hostility, Beef takes a darkly comedic look at how anger can be a source of motivation and creativity when channeled properly. It works as a vicariously vent for our own frustrations: nasty yet somehow therapeutic.
An antidote to the darker worlds currently trending across the streamers, Lucky Hank also delivers a refreshingly new Bob Odenkirk character, a guy whose meltdown might just deliver your own much-needed catharsis — leaving you laughing and pondering and lingering to see what comes next.
With so many awards-caliber movies taking us into very dark places, Triangle of Sadness brings laughter and sunshine to its biting indictment of influencers, wealth and class divides. Stick around for the third act.
A cleverly written, delightfully acted spoof of Hollywood’s obsession with calling “do-over” on retro television series, Reboot brings a deep bench of talented cast members and a generous helping of inside baseball surrounding the TV industry.
A masterpiece of a modern family sitcom, One Day at a Time is that rare three-generation watch that families from all backgrounds can relate to.
Rutherford Falls is a clever and sweet satire similar to Michael Schur’s other half-hour comedies. Like Parks and Recreation and The Good Place, it’s surprisingly deep and deserves just as much attention.