
Soundtrack to a Coup d’Etat
With all of the power and percussion of a Louis Armstrong horns ensemble, Soundtrack to a Coup D’Etat is a visceral must-watch that sheds fresh light on an era through an inventive new documentary format.
With all of the power and percussion of a Louis Armstrong horns ensemble, Soundtrack to a Coup D’Etat is a visceral must-watch that sheds fresh light on an era through an inventive new documentary format.
A lavish historical drama set in Nazi-occupied Paris during WWII, The New Look contrasts the horrors of war with the opulence of post-War French society while underscoring the moral dilemmas faced by the two cultural icons of the time: Christian Dior (Ben Mendelsohn) and Coco Chanel (Juliette Binoche).
An epic historical drama about an unsettling chapter in American history, Killers of the Flower Moon presents a captivating narrative with exceptional performances that keep you engaged throughout its three and a half hour duration. You’ll be hearing about this one throughout the awards season.
A biopic of epic proportions, Oppenheimer is chock full of explosive blasts and guilty conscience. Flawless acting performances and artistic finesse make it a visual treat, while its relentless nature and powerful sense of injustice burn an image in your soul that doesn’t quite fade after leaving the theater.
A deeply felt, slow-burning indie film about a 30-something woman looking back on her last vacation with her father 20 years earlier, it’s a work that’s true impact sneaks up on you after the credits roll.
One of the best dramas of 2022, the Golden Globe-nominated Black Bird rises above other true crime shows as a psychological drama that peels away the layers to get to the moral questions beneath.
A romantic Korean noir from legendary director Park Chan-wook, Decision to Leave captivates as much for the chemistry between its detective and suspect as for the shocking psychological mystery that unfolds.
A sharply-written character study and tense psychological thriller from the creators behind The Americans, The Patient is propelled by a pair of Emmy-worthy performances from Steve Carell and Domhall Gleeson.
There’s no better focal point to examine the turbulent racial, religious, cultural, and political currents that shook America throughout the 1960s and 70s than Ken Burns’ Muhammad Ali. Ali transcended the narrow theater of sport to become, for a time, the most famous man alive.
Only Murders in the Building is a gripping mystery with a touch of comedy, a strong sense of style, and charm to spare. There’s nothing else like it on TV right now.