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Speak No Evil

Speak No Evil

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What it’s about:

An American family, eager for new friendships and adventure, befriends a charismatic British family during a vacation. Invited to spend time at the couple’s idyllic countryside home, what begins as a blissful getaway soon spirals into a terrifying weekend from which they desperately wish to escape.

Names you might know:

A talented ensemble that includes James McAvoy (IT Chapter Two), Mackenzie Davis (Station Eleven), Aisling Franciosi (The Last Voyage of the Demeter), and Scoot McNairy (Blonde).

Why it’s worth your time:
James McAvoy horror Speak No Evil
c. Blumhouse

A remake of the 2022 Danish gem, this version of Speak No Evil breathes new life into the thriller that will keep you in its grip and constantly guessing the motives of a mysterious family. James McAvoy delivers a chilling performance as Paddy, an arrogant alpha male whose unsettling charm masks something far darker. If you found McAvoy’s roles in Glass and Split frightening, Paddy takes things up a notch, a blend of The Beast and Bruce from Filth—a charming sociopath who keeps everyone off balance. From the outset, there’s a tension in his character, a blurred line between entertaining and threatening. Adding to the intrigue is his wife, Ciara, who shares his charm and erratic personality but displays a touch more empathy, though her Harley Quinn-like twists will reveal something more dangerous.

Their son, Dan, is a timid child who does not speak. He keeps an emotional distance from his parents, and despite his struggles, he attempts to warn the American family that all is not right — even at the risk of his own life. I couldn’t help but feel for Dan during the tense moments as he subtly tries to alert his parents’ new friends to the danger they’re in.

MacKenzie Davis in Speak no Evil
c. Blumhouse

The American couple, Louise and Ben (Mackenzie Davis and Scoot McNairy), are having marital issues, and this is where the plot gets more intriguing, gradually peeling back the layers of their imperfect union. Their vulnerabilities make them more susceptible to Paddy’s invitation for a weekend getaway at their home in the stunning Italian countryside.

Ben, in particular, struggles with his sense of masculinity and career status, and McNairy convincingly portrays a man who can’t help but admire Paddy’s ‘man’s man’ persona—reminiscent of the Andrew Tate brand of machismo. Mackenzie Davis, on the other hand, had me cheering for Louise, as her bravery and determination to protect her family becomes the emotional core of the film.

Out of the gate, it’s a slow burn, but Speak No Evil keeps your mind engaged through the questions it raises, and between Paddy’s erratic behavior and Ben’s passive-aggressive response, we get pulled in deeper. As it unfolds into its second and third acts, the pace and tension escalate, leaving us on edge as the characters unravel their surprising, unsettling truths.

The takeaway:

A thought-provoking horror film that delivers a twist on the Danish original, Speak No Evil gathers momentum as it builds to its crescendo, leaving you rooting for a couple on the brink as they come together to escape a swelling madness. McAvoy’s terrifying performance as Paddy will stay with you, and you might just get inspired to watch the 2022 original to compare the Danish versus English perspectives.

I’d rate the film an 8/10 for its carefully rendered characters, twists, and sustained tension.

Watch it with:

Fans of psychological thrillers, Blumhouse horror movies, and films like the Glass franchise. There’s a lingering anticipation that McAvoy might transform into his Beast character; some of his actions and movements feel reminiscent. Just be mindful not to chat too loudly with your friends during the final act—you will be tempted to.

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