Tom Jolliffe

A UK-based journalist who regularly contributes to Flickering Myth, Tom Jolliffe is also the award-winning screenwriter behind Darkness Falls, Renegades, Crackdown, and War of the Worlds. He has several releases due out in 2023. Find him @jolliffeproductions/
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Aftersun

A deeply felt, slow-burning indie film about a 30-something woman looking back on her last vacation with her father 20 years earlier, it’s a work that’s true impact sneaks up on you after the credits roll.

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Black Bird

One of the best dramas of 2022, the Golden Globe-nominated Black Bird rises above other true crime shows as a psychological drama that peels away the layers to get to the moral questions beneath.

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Barbarian

The rare horror movie to earn high praise from critics and non-horror fans, Barbarian is for viewers who want to be surprised with a flip on their expectations. It’s imaginative, shocking, and relevant.

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Banshees of Inisherin

Riotously funny while weighted by tragicomic depth, Banshees of Inisherin is exquisitely crafted with sharp writing and stunning photography that bring a distinct time and place to life. Expect to laugh, gasp and cry before the credits roll.

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A Watercooler Watch: Barbara Walters: Tell Me Everything

Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

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A Need-to-Know Guide to The Buccaneers

Was life in the Gilded Age all that gilded?  In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.”  Apple TV’s The Buccaneers, which just returned for its second season,

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

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A Need-to-Know Guide to And Just Like That…

It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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Boyhood

Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations. 

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Theater Camp

Theater Camp is a treat for those who remember what it’s like to be young and to have a dream, and who haven’t forgotten all the sweat and ambition that comes with it, and how it can feel like the most important thing that has ever happened. The world of AdirondACTS is richly envisioned, and

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Welcome, or No Trespassing

An intriguing time capsule of a film with an original take on the summer camp movie, Welcome, or No Trespassing is also a biting social satire of the autocratic Soviet regime.

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Asteroid City

Asteroid City is like a trip to a resort — it’s fun, colorful, outwardly buoyant and a little soulless, a potent combination that makes it both a pinnacle of Wes Anderson’s style and a slight miss as a narrative picture.

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Riviera

If you’re looking for a glitzy, sexy, escape, Riviera serves up three seasons of a lush, soapy mystery series dripping in yachts, conspiracies, globe trotting art world intrigue, and spy thriller plots that include a somewhat timely Russian threat.

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What AI Can’t Tell You About The Bear S2

The Bear just returned for its second season The Bear Season 2 on Hulu, and we threw a party in Brooklyn, home of star Jeremy Allen White. For the uninitiated, and those unwittingly relying on AI bot reviews, we are talking about the show set in a Chicago sandwich shop – not the movie about

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The Bear S1

The Bear is a fast-tempo character study set behind the scenes of a family-run Chicago restaurant. It invites you in to pull up a chair and watch the drama unfold, but never lets you get too comfortable.

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The Blackening Stars on Busting Tropes and Favorite Films

It may sound like a familiar premise with The Blackening Stars: During a weekend getaway in celebration of Juneteenth, a group of Black friends find themselves stranded inside a cabin, and forced to participate in a game by a disturbed killer.  Jay Pharaoh, Antoinette Robinson, and Melvin Gregg. But this a different movie, and the

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Are You There God? It’s Me, Margaret.

Stories about pre-teen girls find a natural rhythm with the hero’s journey. The call to adventure, facing allies and enemies, crossing the threshold of the mortal world—an eleven-year-old girl can experience all of this during one lunch period. When Margaret moves from Manhattan to suburban New Jersey, it begins her harrowing journey through the messiness,

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