Tom Jolliffe

A UK-based journalist who regularly contributes to Flickering Myth, Tom Jolliffe is also the award-winning screenwriter behind Darkness Falls, Renegades, Crackdown, and War of the Worlds. He has several releases due out in 2023. Find him @jolliffeproductions/
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Aftersun

A deeply felt, slow-burning indie film about a 30-something woman looking back on her last vacation with her father 20 years earlier, it’s a work that’s true impact sneaks up on you after the credits roll.

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Black Bird

One of the best dramas of 2022, the Golden Globe-nominated Black Bird rises above other true crime shows as a psychological drama that peels away the layers to get to the moral questions beneath.

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Barbarian

The rare horror movie to earn high praise from critics and non-horror fans, Barbarian is for viewers who want to be surprised with a flip on their expectations. It’s imaginative, shocking, and relevant.

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Banshees of Inisherin

Riotously funny while weighted by tragicomic depth, Banshees of Inisherin is exquisitely crafted with sharp writing and stunning photography that bring a distinct time and place to life. Expect to laugh, gasp and cry before the credits roll.

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How to Fill the Succession Void

Whether you tuned in for the family dysfunction, the timely media-tech business stories, Shows About The Murdoch Family, the back-room political machinations, or the Greg and Tom comedy, Succession has captivated many of us over the past five years. Despite their treacherous behavior and ruthless, WTF insults, the characters and their plottings have become a

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A 90s Slacker Film for the Reluctant College Grad

When Kicking and Screaming came out in 1995, it fit squarely within the youth culture of its time College Graduation Movies. With Clinton in the White House and the Pixies on the radio, apathy was par for the course. The term “slacker” became a signifier for a certain kind of seemingly unambitious cool-kid scene. Coming

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Behind the Scenes with Kandahar Director Ric Roman Waugh

Director Ric Roman Waugh is known for his high-octane, true-to-life action dramas, from Snitch (starring Dwayne Johnson) to National Champions (with J.K. Simmons) to The Angel Has Fallen (starring Gerard Butler). His latest film, Kandahar — in theaters Memorial Day Weekend — drops us into modern day Afghanistan, deep behind enemy lines, as an undercover

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Conversations with Friends

A captivating adaptation of Sally Rooney’s bestseller, Conversations with Friends takes you deep into in the agony and ecstasy of a secretive affair as well as an open relationship, and forces you to ask the big questions.

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Wave Makers

The first Taiwan-based political drama available to a worldwide audience, Wave Makers is a groundbreaking political drama populated with relatable characters, timely issues, teachable moments, and engaging plots. A thoroughly engaging and positive wave of change in a sea of predictability and male-skewing political dramas.

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Angel City

A goose-bump inspiring docuseries that takes us on to the field and into the surprising back story of how LA’s new professional women’s soccer team came to be, upending the model behind pro sports teams and finally, truly, changing the game.

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Derry Girls

Like the community and era they represent, the Derry Girls bring a feisty resilience to their teenage troubles, and in spite of the larger Troubles surrounding them, they’re unafraid to speak their minds and stand up for themselves.

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Class of ’09

A smart, complex, and timely take on the past and future of law enforcement in the U.S., Class of ’09 is sure to generate moral questions while driving much needed conversation. 

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The Other Two

A surprisingly sweet satire about fame in all its forms, The Other Two proves that not even superstars have it easy. But with the support of family — biological or created — making it as an actor/writer/manager/singer/fashion designer/talk show host/influencer is a little more feasible.

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A Need-to-Know Guide to And Just Like That…

After a two year wait, Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and the inevitable rainy weekends, And Just Like That might be

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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Boyhood

Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations. 

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Why Andor is Luring in Non-Star Wars Fans

An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of

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Inside the War Zone: A sit down with Warfare’s director and cast

A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal

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