Geoffrey Fletcher

Geoffrey Fletcher is a screenwriter and film director. His screenplay for Precious: Based on the Novel “Push” by Sapphire received an Oscar for Writing (Adapted Screenplay) from the Academy of Motion Picture Arts and Sciences. He is the first African American to win an Oscar for writing, directing, or producing a feature film. More information about his past and upcoming work can be found at www.GeoffreyFletcher.info.
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Causeway

After a traumatic brain injury, a US soldier (Jennifer Lawrence) confronts memory loss, PTSD, and her family as she finds an unlikely comrade on her path to recovery.

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The Crimson Kimono

Sensitive, raw, refined, and ahead of its time. Released in 1959, they still don’t make films like this stateside. The fact that you probably won’t recognize its stars lets you get to know them properly, without prejudice.

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No Exit

A slow-paced, unpredictable thriller with a surprise twist, No Exit challenges the viewer as it tests its protagonist to overcome her painful past. The chilling world and intense final act make the movie a must-watch.

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Severance

Severance is unlike any other show on TV right now. It builds slowly, drawing you in with stylish minutiae, but then intensifies, goes deeper, and becomes more paranoia-inducing with each successive episode.

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An Ode to Midge and Susie: The Real Love Story of The Marvelous Mrs. Maisel

Midge’s suitors may be a more obvious focal point of The Marvelous Mrs. Maisel, but the real love story of the show is the one between her and Susie.

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Dive into the Texas Chainsaw Massacre-verse

It’s time to rev up those chainsaws because Leatherface is back, and this time he’s ready to take down some gentrifying hipsters. The Texas Chainsaw Massacre film franchise is getting a new entry with the creative title Texas Chainsaw Massacre, a direct sequel to the original 1974 film premiering on Netflix this Friday, Feb. 18.

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The Worst Person in the World

The Worst Person in the World is a fluidly told story not about love, but instead about self-awareness, acceptance, and the persistent insecurity that accompanies the pursuit of both.

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Letterkenny

Contrary to typical portrayals of small-town folks, the residents of Letterkenny are quick-witted and fully aware of broader social issues. Though they trade unrelenting insults, the warring factions come together more than once to defend one of their own.

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The Tinder Swindler

The Tinder Swindler starts as a too-good-to-be-true love story and quickly evolves into a revenge thriller, then a cautionary tale. Though this serves as a reminder that one should trust their gut and be on the lookout for red flags, it’s also a story of perseverance.

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Marry Me

Marry Me is a fun love story with a killer hook that could have been a total disaster, but ultimately succeeds thanks to the likability of its characters and wholehearted embrace of the conventions of classic romantic comedies.

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What to Watch After Marry Me? More J.Lo Rom-Coms

Marry Me sounds delightfully sappy, and considering the state of the world at the moment, we could all use a bit more sap in our lives. To celebrate J.Lo’s return to the rom-com, we’ve rounded up a list of our favorite screen romances featuring the former Fly Girl (who’s still pretty fly).

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A Watercooler Watch: Barbara Walters: Tell Me Everything

Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

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A Need-to-Know Guide to The Buccaneers

Was life in the Gilded Age all that gilded?  In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.”  Apple TV’s The Buccaneers, which just returned for its second season,

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

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A Need-to-Know Guide to And Just Like That…

It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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Boyhood

Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations. 

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