Shauntrice Martin
Raging Midlife
An over-the-top broad comedy for Gen Xers or older Millennials, Raging Midlife works for fans nostalgic for 80s movies who just want to laugh and de-stress. Wrestling fans will find a special level of joy in the moves.
How to Die Alone
A good show for anyone who wants to get “unstuck,” How to Die Alone reminds us to embrace vulnerability and take more risks. Mel shows us how to live.
The Black Godfather of Horror: A Tribute to Tony Todd
Three things I don’t do anymore: ride roller coasters, drive behind a truck with logs, and get on bridges that are under construction. One movie is the reason why: Final Destination. But what I remember most about the film is that it starred one stereotype-defying Black man who did not die first — Tony Todd.
Everything I Hated About They Cloned Tyrone
Obviously there will be spoilers that why Hated About They Cloned Tyrone, but I refuse to tell you who Tyrone is. They Cloned Tyrone is brilliant in both its concept and execution. Here’s the story: A drug dealer, a pimp, and a ho (their words, not mine) uncover a national government-sponsored cloning project. Imagine it:
Shauntrice Martin
The Great Sleazy Sports Movies
The sporting life, when properly lived, is always a little bit sleazy: sweaty, smelly, bloody, and profane. What we require is not merely a list of great sports films, but of great sleazy sports movies.
Decision to Leave
A romantic Korean noir from legendary director Park Chan-wook, Decision to Leave captivates as much for the chemistry between its detective and suspect as for the shocking psychological mystery that unfolds.
Causeway
After a traumatic brain injury, a US soldier (Jennifer Lawrence) confronts memory loss, PTSD, and her family as she finds an unlikely comrade on her path to recovery.
Barbarian
The rare horror movie to earn high praise from critics and non-horror fans, Barbarian is for viewers who want to be surprised with a flip on their expectations. It’s imaginative, shocking, and relevant.
Stepmom
A classic that addresses tough topics like blending families and how to cope with grief, Stepmom can also serve as a kind of road map for how to broach tough topics like a terminal illness.
The Leads of HBO’s “The Head” Explain What’s in Their Own
As an international show first released in 2020, The Head has flown under many radars, but the critically praised psychological thriller just returned for a gripping second season Antarctica Thriller From Hbo, and the Watercooler’s Felipe Patterson talked to the two leads to better understand the series and their characters. The Story: A team of
The Inspection
A psychological drama about feeling alienated that captivates the lost loner in all of us, The Inspection also examines how men are “toughened up” by society. You’ll be hearing more about star Jeremy Pope.
The US-UK Divide: Understanding Reactions to Harry & Meghan
The Harry & Meghan Netflix series has opened a new rift between Americans and their British friends (and foes). To understand why, US & UK journalist Sklyar Baker-Jordan sheds light on the history, class, and cultural divides that explain both sides.
Smiley
A charming, escapist Spanish rom-com series that pivots around two gay men, Smiley takes a playful and practical look at all of the complexities surrounding gay and straight modern relationships.
Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters