Shauntrice Martin
Raging Midlife
An over-the-top broad comedy for Gen Xers or older Millennials, Raging Midlife works for fans nostalgic for 80s movies who just want to laugh and de-stress. Wrestling fans will find a special level of joy in the moves.
How to Die Alone
A good show for anyone who wants to get “unstuck,” How to Die Alone reminds us to embrace vulnerability and take more risks. Mel shows us how to live.
The Black Godfather of Horror: A Tribute to Tony Todd
Three things I don’t do anymore: ride roller coasters, drive behind a truck with logs, and get on bridges that are under construction. One movie is the reason why: Final Destination. But what I remember most about the film is that it starred one stereotype-defying Black man who did not die first — Tony Todd.
Everything I Hated About They Cloned Tyrone
Obviously there will be spoilers that why Hated About They Cloned Tyrone, but I refuse to tell you who Tyrone is. They Cloned Tyrone is brilliant in both its concept and execution. Here’s the story: A drug dealer, a pimp, and a ho (their words, not mine) uncover a national government-sponsored cloning project. Imagine it:
Shauntrice Martin
Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters
The Social Dilemma
This doc will make you think twice before picking up your phone to check Twitter for the hundredth time in a hour, and that’s a good thing.
Borat Subsequent Moviefilm
Within the realm of Sacha Baron Cohen-level absurdity is this coming-of-age story of a young woman who breaks out of a patriarchal cocoon to find that female free will does exist.
Roadkill
Political leaders dedicating their waking hours to dodging scandals are not native to the U.S., but they’re more fun to watch when playing out in a fictional version from the other side of the pond.
Eddie Pepitone – For the Masses
Pepitone helps us see the humor and light in all of this moment’s frightening and confusing nature.
The Trial of the Chicago 7
The Trial of the Chicago 7 offers plenty of precedents, reminding us of philosopher George Santayana’s warning that “Those who do not learn history are doomed to repeat it.”
Homeland
The compelling qualities that first drew me to write in the genre are the same attractions that are abundant in Homeland: plot, tension, moral ambiguity, and paradigm-shattering twists.
What the Constitution Means to Me
Well-written, heartfelt, and necessary, What the Constitution Means to Me isn’t your typical streaming special, but thanks to Heidi Schreck’s captivating performance and distinctive point of view, it’s a must-see on any platform.
Secreto Bien Guardado (Argentina)
This Argentinian watercooler drama has sparked debate all around the world. Our Buenos Aires-based correspondent explains why.
The Queen’s Gambit
Between the terrific performances, the fantastic period details, and the way it approaches chess as a thrilling, tension-filled competitive sport, this series makes braininess cool.