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The Kalief Browder Story(2017)enlighten me, shock me, stretch my mind · From Sesali Bowden at Refinery 29: A brave moment of truth-telling that rips the band-aid of fiction off contemporary television retellings of corruption, injustice, and systemic racism in this country |
The Leftovers(2017)scare me, stretch my mind, up my adrenaline · From Emily Todd VanDerWerff at Vox: By Season 2, the show is “operating at the peak of its powers. … It feel[s] very much like a series that has found its moment in history.” |
The Light of the Moon(2017)enlighten me, tug my heartstrings · From Andrew Barker at Variety: Jessica M. Thompson’s simply-structured film is harrowingly effective in its streamlined, low-frills way: sensitive without ever being sanctimonious, brutally frank without ever lapsing into exploitation. |
The Marvelous Mrs.Maisel(2017)find me mature fun, make me laugh, transport me · From Ben Travers at IndieWire: With a much-needed message for our times, a talented ensemble cast, and the period appeal of a Mad Men-with-a-feminine-flair production design, The Marvelous Mrs. Maisel is well on its way to becoming the next obsession for Gilmore Girls devotees. |
The Trip to Spain(2017)find me fun, make me laugh, transport me · From Mark Feeney at Boston Globe: The proof that the “Trip” formula hasn’t become formulaic? How often, and hard, these two can make an audience laugh. |
The Vietnam War(2017)From David Wiegand at San Francisco Chronicle: As otherwise powerful as The Vietnam War is as a film and a historical document, it misses a significant opportunity to go beyond the rhetorical ‘for what?’ |