
Y: The Last Man
Y: The Last Man is a captivating, possibly triggering story, from the first minute, when you start counting the men who are about to die and caring about the women who love them.
Y: The Last Man is a captivating, possibly triggering story, from the first minute, when you start counting the men who are about to die and caring about the women who love them.
Deeper and more complex than it might seem, this is the kind of show that draws you in and keeps you wondering what’s going to happen next.
An intriguing if slow-moving take on the noir crime drama that focuses on the outlaw’s wife. Starring Rachel Brosnahan.
A timely, nail-biting spy thriller that you won’t be able to stop watching, Tehran is as illuminating as it is gripping.
Political leaders dedicating their waking hours to dodging scandals are not native to the U.S., but they’re more fun to watch when playing out in a fictional version from the other side of the pond.
The compelling qualities that first drew me to write in the genre are the same attractions that are abundant in Homeland: plot, tension, moral ambiguity, and paradigm-shattering twists.
The show may play out against some bleak backdrops, but Bob Odenkirk will draw you in and keep you engrossed throughout this gripping saga.