A riveting, critically-praised documentary about the first ever Women’s World Cup soccer match captures the behind-the-scenes on on-field drama from the players themselves — and the perspective from more recent football/soccer stars on why the event was so quickly forgotten, despite its impact on their own lives.  For history buffs, soccer fans, and anyone curious

A propulsive, animated sci-fi mystery thriller that weaves in every hot-button AI topic, Mars Express follows a sober female detective and her android partner (whose head is the hologram and memories of a man who died) as they hunt down a female hacker under the orders of a wealthy businessman. Man vs Machine, free will,

A timely, insightful documentary that explores how a Black Barbie was finally introduced in 1980, the significance and tensions that revolved around the new doll’s introduction, and the role of the filmmaker’s 83-year old aunt, Beulah Mae Mitchell, in making it happen.

Set in France in 2044, where AI is used to clear away the impacts of inherited trauma on DNA, Gabrielle (Léa Seydoux) discovers she has fallen in love with different reincarnations of a man named Louis (George MacKay), beginning in Belle Époque Paris and flashing forward to the 21st Century Los Angeles.  From Michael Phillips

An often riveting, sometimes hard to watch indie comedy-drama about an aspiring stand-up comedienne who is haunted by the disappearance of a girl she used to nanny and a sexual trauma from her own past. I Used to Be Funny stars Rachel Sennott (Bottoms) in a potent performance from a story directed by Ally Pinkiw,

Imagine meeting your doppelganger in your workplace, someone who matches you feature by feature, unlike your actual twin — who looks so very different from you.  A feature length doc from Columbia follows two sets of twins who may or may not have been switched, and how their new realities and identities unfold as the

Based on David Duchovny’s novel, “Bucky F—– Dent,” the multi-hyphenate X-Files star takes the lead as a diehard Red Sox fan who is determined to make amends to his son and stay alive until his team takes the 1978 pennant in this poignant if slow-paced novelistic melodrama written and directed by Duchovny himself.