Felipe Patterson
Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
Inside the War Zone: A sit down with Warfare’s director and cast
A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal
Black Bag
A taut, stylish and steamy take on the high-stakes espionage thriller, Steven Soderbergh’s Black Bag keeps you second-guessing every character’s motives until the very end. The tension, the suspicion, the sense that the walls are closing in? It’s all here.
You Hurt My Feelings
A rare grown-up comedy that hits home while delivering an escape, You Hurt My Feelings has something to say about the power of both honesty and vulnerability in helping us connect.
Conclave
Conclave transcends its rich setting to tell a universally compelling story about power, morality, and the fundamental human condition — which no amount of religious ceremony, historical weight, or status can change.
The Brutalist
Blending raw emotion, breathtaking cinematography, and a narrative that speaks to the resilience of the human spirit, The Brutalist is a top 2025 Oscar contender and a must-watch for lovers of bold, novelistic storytelling, American history, and cinematic experiences.
Felipe Patterson
Upload
You will go into it thinking (especially in the first episode), what a light, silly, predictable sci-fi show. Prepare to have your expectations far exceeded.
Hamilton
Dazzling, rousing, and enlightening, Hamilton is a cultural phenomenon that’s as entertaining as it is inspiring. The Broadway show united politicians and won a Pulitzer, a Grammy, and record-breaking Tony nominations, and it’s now available for everyone to see thanks to streaming.
Eurovision Song Contest
A hilarious homage to the international song contest that launched ABBA, Celine Dion and many others, Eurovision doubles as a vicarious vacation adventure — one with outlandish performances, actual hits, and Will Ferrell.
Black-ish: “The Juneteenth Episode”
In 30 comedic minutes, this special “Juneteenth” episode manages to give insight into the end of slavery in the United States—the date it actually ended, how it was ended, and what happened after it did.
Can You Ever Forgive Me?
At first glance a true crime story, the film is actually a look at how poverty, loneliness and imposter syndrome can seduce someone into creating a false reality.
Harold & Kumar Go to White Castle
Is it technically a silly stoner comedy from the early 2000s? Yes. But it’s also about the struggles of being young, what it means to “figure things out,” and how you should exit your comfort zone to embrace both youth and maturity.
Fruitvale Station
Based on a true story, the film is a poignant and powerful snapshot of a life interrupted, cut brutally short without warning.
Universal Language
An absurdist dramedy about the clash of two worlds, Universal Language entertains as much as it motivates. Beyond the madness lies an urgent plea for unity, an appeal that resonates with people hoping for a better, more harmonious future.
Industry S1
Industry is a series fueled by greed, drugs, sex, and money, and provides all of these ingredients in Federal Reserve-sized quantities. There’s never a dull moment.
Minx
The streaming series about the intersection between feminism and smut could endear even the most skeptical. And what it might lack in delicacy, it certainly makes up for in swagger.
The Sympathizer
Told through the perspective of a conflicted hero with contradicting loyalties, The Sympathizer is an ambitious examination of a spy who can’t help but sympathize — hence, the title of the series — with the enemy. It might make you rethink everything you were taught about the Vietnam War too.
Robert Redford’s Impact: Four Films to Watch
He was “one of the lions,” as Meryl Streep put it, an American touchstone who changed filmmaking and opened the gates for new generations of storytellers, becoming a central force in independent cinema. To understand the impact his films have had – on previous generations, on our culture, on so many other films – we’ve
Itaewon Class (Itaewon Keullasseu)
A colorful, ultimately inspiring tale for budding entrepreneurs, restauranteurs, and empire-builders. It also works as a vicarious adventure in Seoul.
The Back-to-College Binge Watch Playlist
Remember when you could sleep until noon, stumble to class in pajamas, and stay up until 2am watching weird art films? Fall is when many of us become wistful about that bumpy chapter of extended adolescence, when you start to discover who you truly are and make some truly regrettable choices. In honor of all
Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,