
Katie Rife

Old Enough!
Though the idea of sending a three-year-old to the supermarket by themselves might seem terrifying, the Japanese documentary series Old Enough! is hardly a white-knuckle experience. It’s a sweet and watchable show showcasing the kids’ natural charisma.

The 10 Best Episodes of Love, Death + Robots
Netflix’s animated anthology Love, Death + Robots includes so many worthwhile episodes, but these 10 are a great place to start.

Why I’m Watching Ms. Marvel and You Should Too
Ms. Marvel delivers the representation Muslims finally deserve. And you don’t have to be Muslim to appreciate it.

Fire Island
Fire Island is one of the best gay films released in recent memory. It’s funny, it’s romantic, and it is beautifully written, acted, and directed. It may not win Oscars–comedies rarely do; gay films more rarely still–but it is an instant classic that critics and audiences will be citing for years.

Ms. Marvel
Ms. Marvel is a fun and joyful teen superhero series that plays close to the comics and other cinematic influences, but ultimately follows its own path.

Everything You Need to Know Before Jurassic World: Domination
With Jurassic World: Dominion hitting theaters soon, we’ve got to wonder why no one ever learns the lessons of the previous films.

The Boys
The Boys has shock value, action, and gore, but also peels back the layers of its characters, making even the super-humans seem more human.

Welcome to Plathville
Welcome to Plathville is a riveting microcosm of the cultural divisions in this country, within the structure of one dysfunctional family.

The Bob’s Burgers Movie
The Bob’s Burgers Movie is an entertaining animated comedy made especially for fans of the show. But you can still enjoy it if you’re a newcomer, and it might even inspire you to go back and watch some episodes for more of this family’s crazy antics.

A Need-to-Know Guide to And Just Like That…
After a two year wait, Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and the inevitable rainy weekends, And Just Like That might be

The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.

Why Andor is Luring in Non-Star Wars Fans
An edgier Star Wars prequel with a timely story about rebellion, Andor skips some of the more familiar elements of the franchise — from lightsabers to Jedi to the Force — in favor of a more grounded story with parallels in both history and our current moment. While it sets up the legendary world of

Inside the War Zone: A sit down with Warfare’s director and cast
A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal