Shauntrice Martin

Shauntrice is a writer, curator, and artist who has written for Blavity, Essence Magazine, the Watercooler HQ, SELF, Salon, and Taji Mag. She is the founder of an arts equity platform called OKIKE. Follow her on socials: @ShauntriceBlack
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Raging Midlife

An over-the-top broad comedy for Gen Xers or older Millennials, Raging Midlife works for fans nostalgic for 80s movies who just want to laugh and de-stress. Wrestling fans will find a special level of joy in the moves.

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How to Die Alone

A good show for anyone who wants to get “unstuck,” How to Die Alone reminds us to embrace vulnerability and take more risks. Mel shows us how to live.

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The Black Godfather of Horror: A Tribute to Tony Todd

Three things I don’t do anymore: ride roller coasters, drive behind a truck with logs, and get on bridges that are under construction. One movie is the reason why: Final Destination. But what I remember most about the film is that it starred one stereotype-defying Black man who did not die first — Tony Todd.

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Everything I Hated About They Cloned Tyrone

Obviously there will be spoilers that why Hated About They Cloned Tyrone, but I refuse to tell you who Tyrone is. They Cloned Tyrone is brilliant in both its concept and execution. Here’s the story: A drug dealer, a pimp, and a ho (their words, not mine) uncover a national government-sponsored cloning project. Imagine it:

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Shauntrice Martin

Shauntrice is a writer, curator, and artist who has written for Blavity, Essence Magazine, the Watercooler HQ, SELF, Salon, and Taji Mag. She is the founder of an arts equity platform called OKIKE. Follow her on socials: @ShauntriceBlack
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The Boys

The Boys has shock value, action, and gore, but also peels back the layers of its characters, making even the super-humans seem more human.

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Welcome to Plathville

Welcome to Plathville is a riveting microcosm of the cultural divisions in this country, within the structure of one dysfunctional family.

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The Bob’s Burgers Movie

The Bob’s Burgers Movie is an entertaining animated comedy made especially for fans of the show. But you can still enjoy it if you’re a newcomer, and it might even inspire you to go back and watch some episodes for more of this family’s crazy antics.

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Top Gun: Maverick

Top Gun: Maverick captures the same excitement and action as the original, if not more. It’s well worth experiencing in the theater on a big screen.

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What You Need to Know about Obi-Wan Kenobi

Obi-Wan Kenobi has had a long and epic journey, but you don’t need to know it all before watching the show. Just use our handy cheat sheet.

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Stranger Things Season 4 Catch-up: Watercooler Guide to the Story So Far

It’s been a while since the last season of Stranger Things, so we’ve got a handy refresher to catch you up on all that’s happened so far in preparation for the upcoming fourth season.

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The Home Edit

Though organizing and tidying can be stress-inducing, The Home Edit experts demonstrate that the key to taking control of your space again is to have a system that works for you and your workflow.

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The Essex Serpent

Like the mythical creature of the title, The Essex Serpent slowly draws you out to sea and before you know it you’re in deep, totally immersed.

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Eddington is a pandemic parable. But what is it trying to say?

Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.

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A Watercooler Watch: Barbara Walters: Tell Me Everything

Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

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A Need-to-Know Guide to The Buccaneers

Was life in the Gilded Age all that gilded?  In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.”  Apple TV’s The Buccaneers, which just returned for its second season,

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

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A Need-to-Know Guide to And Just Like That…

It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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