
Shauntrice Martin

Raging Midlife
An over-the-top broad comedy for Gen Xers or older Millennials, Raging Midlife works for fans nostalgic for 80s movies who just want to laugh and de-stress. Wrestling fans will find a special level of joy in the moves.

How to Die Alone
A good show for anyone who wants to get “unstuck,” How to Die Alone reminds us to embrace vulnerability and take more risks. Mel shows us how to live.

The Black Godfather of Horror: A Tribute to Tony Todd
Three things I don’t do anymore: ride roller coasters, drive behind a truck with logs, and get on bridges that are under construction. One movie is the reason why: Final Destination. But what I remember most about the film is that it starred one stereotype-defying Black man who did not die first — Tony Todd.

Everything I Hated About They Cloned Tyrone
Obviously there will be spoilers that why Hated About They Cloned Tyrone, but I refuse to tell you who Tyrone is. They Cloned Tyrone is brilliant in both its concept and execution. Here’s the story: A drug dealer, a pimp, and a ho (their words, not mine) uncover a national government-sponsored cloning project. Imagine it:

Shauntrice Martin

The Lost Daughter
The Lost Daughter proves that Gyllenhaal has a gift for directing and screenwriting. She’s made a film about real, complex people that sticks with you.

Twentysomethings: Austin
This series provides an honest exploration of young adulthood and all the struggles that come with it in a relatable, yet entertaining way. It serves as a refreshing reminder that humor, curiosity, and optimism can serve as important tools in trying and tumultuous times.

Archive 81
Archive 81 is a binge-worthy, well-paced horror/sci-fi series that will keep viewers intrigued and filled with anticipation during each of its eight gripping episodes. It’s edge-of-your seat good!

Yellowjackets
Yellowjackets is a dark and potent cocktail, mixing genres in a way that makes it fresh and different from anything you’ve seen before. It digs deep into the human psyche, testing the boundaries of what its characters (and audience) can endure, but also keeps you wanting more.

The Tender Bar
George Clooney directs a compelling movie with relatable and easy-to-root-for characters. The Tender Bar manages to have the emotional depth of any other Oscar contender but without the expected sadness or sturm and drang.

The Power of the Dog
The Power of the Dog delivers amazing vistas and performances, some of which may still be seared in the mind after viewing. There is a uniqueness in the story and in the acting, thanks to the joint efforts of Campion and Cumberbatch.

Keep Your Resolutions: The Best Streaming Workouts
If your new year’s resolution is to get in shape these streaming workouts will get you off the couch without having to leave your home.

What Will Make Oscar History This Year?
Which movies will get nominated for an Oscar in 2022, and which of them are poised to make history? Veteran entertainment journalist Jerry Barmash looks at all the firsts. Prepare your ballots with our guide.

The French Dispatch
This is the most Andersonian of Wes Anderson’s movies so far, and arguably his most ambitious work to date. You may find yourself craving more and wanting to re-watch it immediately to pick up what you missed amongst the sensory overload.

A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,

A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

Boyhood
Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations.