Shauntrice Martin
Raging Midlife
An over-the-top broad comedy for Gen Xers or older Millennials, Raging Midlife works for fans nostalgic for 80s movies who just want to laugh and de-stress. Wrestling fans will find a special level of joy in the moves.
How to Die Alone
A good show for anyone who wants to get “unstuck,” How to Die Alone reminds us to embrace vulnerability and take more risks. Mel shows us how to live.
The Black Godfather of Horror: A Tribute to Tony Todd
Three things I don’t do anymore: ride roller coasters, drive behind a truck with logs, and get on bridges that are under construction. One movie is the reason why: Final Destination. But what I remember most about the film is that it starred one stereotype-defying Black man who did not die first — Tony Todd.
Everything I Hated About They Cloned Tyrone
Obviously there will be spoilers that why Hated About They Cloned Tyrone, but I refuse to tell you who Tyrone is. They Cloned Tyrone is brilliant in both its concept and execution. Here’s the story: A drug dealer, a pimp, and a ho (their words, not mine) uncover a national government-sponsored cloning project. Imagine it:
Shauntrice Martin
Lisey’s Story
Lisey’s Story is an enchanting, frightening tale of magic and memory that’s in the upper echelon of Stephen King adaptations.
What to Watch After In the Heights: More Diverse Musicals to Stream
What to watch after In the Heights? These musicals about inclusion have touched on everything from racial segregation to the struggle to make it in America.
In the Heights
Filled with life, music, color, and passion, In the Heights literally radiates joy. Come for the music and big dance numbers, stay for the touching and intimate portrait of the immigrant experience in America — from several points of view.
Loki Refresher & Episode 1 Recap: “Glorious Purpose”
It’s an overall promising start for a new series. Loki doesn’t look or sound like anything else on TV right now, streaming or otherwise, and the series is all the better for it.
Cruella
A gorgeous, jaw-dropping, fashion-and-punk-rock filled ride, Cruella is Disney’s nod to the parents and grandparents who grew up with the 101 Dalmations. More of an original than an origin story, it’s perfect for the whole family, tweens and up.
In Treatment (2021)
A timely reboot that depicts the vital relationship between a therapist and patient, and the meaningful role it plays in fostering growth and change.
Bo Burnham: Inside
To call Bo Burnham: Inside a comedy special doesn’t quite do it justice. There are moments of humor, to be sure, but also moments that will make you want to cry.
Meet Loskey Founder Lori Cunningham
How does one person tackle challenges as large as the health of the planet and systemic gender inequality around the world? For Loskey founder Lori Cunningham, it began with an everyday challenge that was right in front of her. Perpetually in search of the perfect t-shirt, she set out to create a line of shirts
Girls5eva
A former one-hit-wonder girl group stages a comeback in this musical comedy that pays tribute to female bonding. Emmy-nominated in the writing category, it’s wacky fun with a satirical edge.
Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters