Shauntrice Martin

Shauntrice is a writer, curator, and artist who has written for Blavity, Essence Magazine, the Watercooler HQ, SELF, Salon, and Taji Mag. She is the founder of an arts equity platform called OKIKE. Follow her on socials: @ShauntriceBlack
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Raging Midlife

An over-the-top broad comedy for Gen Xers or older Millennials, Raging Midlife works for fans nostalgic for 80s movies who just want to laugh and de-stress. Wrestling fans will find a special level of joy in the moves.

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How to Die Alone

A good show for anyone who wants to get “unstuck,” How to Die Alone reminds us to embrace vulnerability and take more risks. Mel shows us how to live.

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The Black Godfather of Horror: A Tribute to Tony Todd

Three things I don’t do anymore: ride roller coasters, drive behind a truck with logs, and get on bridges that are under construction. One movie is the reason why: Final Destination. But what I remember most about the film is that it starred one stereotype-defying Black man who did not die first — Tony Todd.

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Everything I Hated About They Cloned Tyrone

Obviously there will be spoilers that why Hated About They Cloned Tyrone, but I refuse to tell you who Tyrone is. They Cloned Tyrone is brilliant in both its concept and execution. Here’s the story: A drug dealer, a pimp, and a ho (their words, not mine) uncover a national government-sponsored cloning project. Imagine it:

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Shauntrice Martin

Shauntrice is a writer, curator, and artist who has written for Blavity, Essence Magazine, the Watercooler HQ, SELF, Salon, and Taji Mag. She is the founder of an arts equity platform called OKIKE. Follow her on socials: @ShauntriceBlack
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The Best Shows to Watch on BritBox

From classic comedies and period dramas to current events and breaking news coverage, BritBox is truly a sampling of the best of British television.

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Coming 2 America

A wildly fun, all-star sequel to the 1988 comedy classic, Coming 2 America brings back the greatest hits of the original and adds in just enough fresh faces and hilarity to be worth the watch. A great three-generation family watch for the kids (11+), parents and grandparents.

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WTF: WandaVision Episode 9 “The Series Finale”

With its ninth and final episode officially out in the world, WandaVision is complete. And what a ride it was.

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Yellowstone

Yellowstone has secured its place in the cultural zeitgeist due to a strong cast, headed by Kevin Costner, and a true-to-life examination of how each character’s development impacts everyone around them.

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Why Star Trek: Picard Works Better as a Binge

To understand the power of the Star Trek franchise, binge watch Picard. The time is right.

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Dolores

A gripping history lesson that also sheds light on the methods, risks, and compromises required to organize and sustain a movement.

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WTF: WandaVision Episode 8 “Previously On”

This week’s penultimate episode seemed to move the series back into feature-film territory, with exposition via flashback sequences to fill in the gaps between the movie franchise and the series.

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I Am Greta

Surprising and inspiring, I Am Greta is a testament to the power of one voice — no matter the age.  Watch it with the disenchanted young student in your life.

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The Map of Tiny Perfect Things

This YA love story uses its time-loop premise to explore the human condition and how time defines us in ways we can’t perceive, because we’re too close to it.

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Eddington is a pandemic parable. But what is it trying to say?

Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.

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A Watercooler Watch: Barbara Walters: Tell Me Everything

Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

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A Need-to-Know Guide to The Buccaneers

Was life in the Gilded Age all that gilded?  In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.”  Apple TV’s The Buccaneers, which just returned for its second season,

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

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A Need-to-Know Guide to And Just Like That…

It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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