Past as Prologue The Coronavirus is fundamentally reshaping our world, including the entertainment industry. Already Hollywood has scuttled production schedules, streamed would-be wide theatrical releases, and adopted DIY production values, with late shows helmed from hosts’ homes and FaceTime-powered interview series. Though the production side of content will likely return to “normal” once this is
In the second episode of Falcon and the Winter Soldier, the two lead characters finally share the screen, but the only thing they can agree on is how much the new Captain America sucks. A primer and post-op for Falcon #2.
We’re only one episode in, but so far The Falcon and the Winter Soldier doing a great job of navigating the new post-Endgame Marvel reality.
With its ninth and final episode officially out in the world, WandaVision is complete. And what a ride it was.
This week’s penultimate episode seemed to move the series back into feature-film territory, with exposition via flashback sequences to fill in the gaps between the movie franchise and the series.
We’ve reached the present day in terms of television influences, with touches of The Office and Modern Family, both known for the gimmick referred to in the episode’s title.
Beautifully humanizing this little-understood period in our history, It’s a Sin pulls no punches in portraying the sheer cruelty of AIDS and British society in the 1980s.
The prevalent overarching themes of PTSD and harmful masculinity are interwoven very closely in Spike Lee’s latest project, mirroring star Chadwick Boseman’s secret fight with cancer while making the movie.
They’re celebrating Halloween in Westview, with a new WandaVision episode that’s creepy, enthralling, and— just to throw another holiday into the mix—full of Easter eggs for comic-book fans.
Let’s talk about all the revelations, clues, and WTF moments in the latest WandaVision installment, “On a Very Special Episode …”