Executive producer Phoebe Waller-Bridge subverts every male-centered trope of espionage thrillers as Eve and the assassin play a deadly cat-and-mouse game fueled by their mutual fascination with each other.

It’s one of the best zombie shows I’ve ever seen, and a refreshing change after writing about The Walking Dead for so many years.

Beautiful loneliness, as the film suggestively reveals, is a texture that Frank knows all too well.

Though dealing at its very core with questions of equality — with still-timely concerns about the economic difficulty women face in living independent lives — the key to the appeal of this 00“Little Women” is its remarkable emotional accessibility, its vibrant picture of four girls alternately blessed and frustrated by the closeness of sisterhood.

Everyone here is very good to great, which makes it all the more frustrating when the dialogue given to them by DaCosta gets a few shades too literal.

A bizarrely twisty, highly inventive dark comedy that, among other things, considers the elusive quest for happiness. The premise, frankly, really doesn’t do this Netflix series justice, as the producers somehow keep pulling rabbits — and unexpected wrinkles — out of hats.