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The Biggest Little Farm

(2019)

enlighten me, inspire me, stretch my mind ·

From Matt Zoller Seitz at RogerEbert.com:

All in all, this is a very likable, if sometimes a bit too polished and vague.

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The Brink

(2019)

enlighten me, stretch my mind ·

From A.O. Scott at The New York Times:

Fast-moving, tightly packed, at times unnervingly entertaining.

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The Dead Don’t Die

(2019)

find me fun, make me laugh, transport me ·

From A.O. Scott at The New York Times:

This is an end-of-the-world party with an appealing guest list and inviting, eccentric decor.

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The Imagineering Story

(2019)

de-stress me, take me back ·

From Terry Terrones at The Gazette:

If you’re a hard core Disney fan, you’ll love this deep dive into the history of the men and women behind the organization.

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The Isle

(2019)

grip me, scare me, thrill me ·

From Peter Bradshaw at The Guardian:

This is the sort of British movie that I can imagine being made by Michael Reeves or Robin Hardy back in the 60s and 70s, drama that’s all about strong characterisation and heady atmosphere.

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The Kid Who Would Be King

(2019)

give me hope, grip me, transport me ·

From Emily Yoshida at New York Magazine (Vulture):

The film builds to an anarchic set piece, in which a school full of rambunctious children defend the world from evil while the adults literally disappear off the face of the earth. It’s the closest thing Cornish comes to a real-life prescription for what ails us, and it goes down pretty well.

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