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Balthazar(2018)grip me, romance me, transport me · From Joel Keller at Decider: Balthazar succeeds because of the chemistry between its leads, and that Balthazar himself is just weird and obnoxious enough to be likable. |
Believer(2018)transport me, up my adrenaline · From Daniel D’Addario at Variety: A sweetly earnest new documentary. … I suspect it’s Reynolds’s humility–his awareness of how little he knows about the gay experience, and his willingness to learn–that keeps a film in his thrall from feeling focused on the wrong story. |
Big Mouth(2018)find me mature fun, make me laugh, take me back · From Nicolas Delgadillo at Cultured Vultures: Its ability to teach uncomfortable lessons about sex in a wildly entertaining way is impressive. |
BlacKkKlansman(2018)grip me, scare me, stretch my mind · From A.O. Scott at The New York Times: BlacKkKlansman is a furious, funny, blunt and brilliant confrontation with the truth. It’s an alarm clock ringing in the midst of a historical nightmare, and also a symphony, the rare piece of political popular art that works in all three dimensions. |
Blaze(2018)take me back, tug my heartstrings · From Bill Goodykoontz at Arizona Republic: It’s the kind of movie that, if you give yourself to it, you’ll love. |
Blindspotting(2018)find me fun, grip me, make me laugh · From Alan Scherstuhl at Village Voice: It’s wild and singular, often beautiful, a feast and feat of self-definition through verbal dexterity. It’s shaking with laughter, teeming with insights and tense as hell when the police roll up. |