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Deadpool 2(2018)find me mature fun, make me laugh, scare me · From Leah Greenblatt at Entertainment Weekly: It’s in Deadpool’s DNA to channel the wild id of a 12-year-old boy; a very clever one who happens to love boobs, Enya, and blowing stuff up. Which is dizzy fun for a while, like eating Twinkies on a Gravitron. Eventually, though, it just wears you out. |
Dear White People(2018)From Proma Khosla at Mashable: Season 1 sees the characters relating differently to being black, while Season 2 delves further into other parts of who they are – Coco’s ambition, Joelle’s pride, and for Sam, her whiteness in addition to her blackness. |
Dolores(2018)enlighten me, stretch my mind, take me back · From Cath Clarke at Guardian: Using powerful archive material, the film chronicles Huerta’s life and triumphs. |
Early Man(2018)From A.O. Scott at The New York Times: The genius of Early Man is that it cannot possibly be spoiled. The animation is foolproof in its combination of ingenuity and obviousness, and the script obliterates the difference between a laugher and a groaner. |
Eating Animals(2018)enlighten me, scare me, stretch my mind · From Alan Scherstuhl at Village Voice: family friendly, fantasy, classic |
Eighth Grade(2018)make me laugh, take me back, tug my heartstrings · From Dana Stevens at Slate: Impressive as Burnham’s achievement is, Eighth Grade could never hit the heights it does without the right actress in the demanding lead role. |