Kimberly Potts

Kimberly Potts has written about TV for The New York Times, Vulture, Entertainment Weekly, Yahoo, TV Guide, The Hollywood Reporter, and Variety; she wrote the book The Way We All Became The Brady Bunch and is currently writing a book about It’s Always Sunny in Philadelphia; she is a member of the Television Critics Association and the Critics Choice Association
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Fleishman is in Trouble

A smartly-written, often funny marriage drama, Fleishman is in Trouble will resonate with its honest, sometimes brutal, sometimes subtle portrayal of the ways that a connection can break down.

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The Patient

A sharply-written character study and tense psychological thriller from the creators behind The Americans, The Patient is propelled by a pair of Emmy-worthy performances from Steve Carell and Domhall Gleeson.

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Tulsa King

A fish out of water mob drama from a combined team of Yellowstone and Boardwalk Empire creators, Tulsa King brings a swaggering, charming Stallone to the small screen with a healthy dose of humor and a round-up of equally fun supporting cast members.

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Reboot

A cleverly written, delightfully acted spoof of Hollywood’s obsession with calling “do-over” on retro television series, Reboot brings a deep bench of talented cast members and a generous helping of inside baseball surrounding the TV industry.

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Derry Girls

Like the community and era they represent, the Derry Girls bring a feisty resilience to their teenage troubles, and in spite of the larger Troubles surrounding them, they’re unafraid to speak their minds and stand up for themselves.

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Class of ’09

A smart, complex, and timely take on the past and future of law enforcement in the U.S., Class of ’09 is sure to generate moral questions while driving much needed conversation. 

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The Other Two

A surprisingly sweet satire about fame in all its forms, The Other Two proves that not even superstars have it easy. But with the support of family — biological or created — making it as an actor/writer/manager/singer/fashion designer/talk show host/influencer is a little more feasible.

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The Other Two: A Catch Up Guide Before Season 3

Chase Dreams (Case Walker) is a 13-year-old in The Other Two Season from Ohio who becomes an overnight sensation when his video “Marry U at Recess” goes viral.  Suddenly in hot demand, he and his mom, Pat, move to New York City for his newfound career.  New York is also where his two older adult

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A Tourist’s Guide to Love

A charming, transporting escape watch for anyone looking for a feel-good romcom that invites you to add Vietnam to your travel bucket list … and to learn to take life, and love, as it comes.

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The Exchange

A smart, unique workplace drama set in wealthy 80s Kuwait, The Exchange drops us into a vibrant world we haven’t seen before and looks at it through the eyes of the only two women working at the Kuwaiti stock exchange.

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A Watercooler Guide to Jump in to Barry

A Watercooler catch up guide to HBO’s dark comedy, Barry, including the need to know on the characters, previous seasons, and what to expect for the fourth and final season.

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Beef

The filet mignon of stories about pettiness and hostility, Beef takes a darkly comedic look at how anger can be a source of motivation and creativity when channeled properly. It works as a vicariously vent for our own frustrations: nasty yet somehow therapeutic.

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Tiny Beautiful Things

Tiny Beautiful Things promises small and delivers big — one woman’s life refracts into universal ponderings about love, death, and parenting. Come for Kathryn Hahn’s magnetic performance, and stay for the series’ delightful and relatable particularity.

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A Watercooler Watch: Barbara Walters: Tell Me Everything

Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

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A Need-to-Know Guide to The Buccaneers

Was life in the Gilded Age all that gilded?  In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.”  Apple TV’s The Buccaneers, which just returned for its second season,

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

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A Need-to-Know Guide to And Just Like That…

It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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Boyhood

Boyhood captures the importance of moments in time as people grow up and contests the idea that any singular moment is defining to your childhood. It’s a film filled with the full breadth of the emotions of childhood, conveying each one delicately to leave you reflecting on its many pensive conversations. 

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