Felipe Patterson

Felipe Patterson is a member of the African American Film Critics Association and the Critics Choice Association. He co-created the column #BlackLoveConvo and also writes for Taji, VICE, and OZY. His Instagram: @fdapperdr.
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Eddington is a pandemic parable. But what is it trying to say?

Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.

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A Watercooler Watch: Barbara Walters: Tell Me Everything

Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

Read More »
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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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Inside the War Zone: A sit down with Warfare’s director and cast

A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal

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Black Bag

A taut, stylish and steamy take on the high-stakes espionage thriller, Steven Soderbergh’s Black Bag keeps you second-guessing every character’s motives until the very end. The tension, the suspicion, the sense that the walls are closing in? It’s all here.

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You Hurt My Feelings

A rare grown-up comedy that hits home while delivering an escape, You Hurt My Feelings has something to say about the power of both honesty and vulnerability in helping us connect.

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Conclave

Conclave transcends its rich setting to tell a universally compelling story about power, morality, and the fundamental human condition — which no amount of religious ceremony, historical weight, or status can change.

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The Brutalist

Blending raw emotion, breathtaking cinematography, and a narrative that speaks to the resilience of the human spirit, The Brutalist is a top 2025 Oscar contender and a must-watch for lovers of bold, novelistic storytelling, American history, and cinematic experiences.

Felipe Patterson

Felipe Patterson is a member of the African American Film Critics Association and the Critics Choice Association. He co-created the column #BlackLoveConvo and also writes for Taji, VICE, and OZY. His Instagram: @fdapperdr.
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The French Dispatch

This is the most Andersonian of Wes Anderson’s movies so far, and arguably his most ambitious work to date. You may find yourself craving more and wanting to re-watch it immediately to pick up what you missed amongst the sensory overload.

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Silent Sea

While the American film Don’t Look Up is getting a lot of buzz, Netflix viewers should also check out The Silent Sea for a different perspective on the future of our planet, and the role of our outer space in the search for answers.

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Single’s Inferno

A cross between Love Island and Survivor, Single’s Inferno is the perfect guilty pleasure to supplant your own dearth of a social life right now.

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What You Need to Know About The Book of Boba Fett

Star Wars fans are talking about The Book of Boba Fett. We’ll tell you what you need to know about the new Disney+ series so you can jump right into the conversation.

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Book vs. Movie: How Marvel Comics’ Hawkeye Inspired the Streaming Series

Now that all six episodes of Hawkeye have aired, let’s talk about some of the comic-book influences that made their way into the show.

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Amanpour: Sex and Love Around the World

A fun and fascinating look at cross-cultural sexual mores and how they’re changing, Sex and Love Around the World will definitely spark conversation, if not something more.

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Station Eleven

A stupendously prescient and relevant post-pandemic drama with a strong undercurrent of hope and a clear faith in humanity. When the novel debuted a half-decade ago, it felt like a wonderful work of science-fiction. Not anymore.

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Spider-Man: No Way Home

If you’re a fan of Spider-Man in any form, No Way Home is not to be missed. Just be prepared for an emotional workout, with wild swings worthy of the web-slinger himself.

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West Side Story (2021)

Steven Spielberg manages to make this West Side Story both retro and modern at the same time. The movie doesn’t lose any steam in this reboot, 60 years in the making.

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Eddington is a pandemic parable. But what is it trying to say?

Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.

Read More »
Featured Image

A Watercooler Watch: Barbara Walters: Tell Me Everything

Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

Read More »
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A Need-to-Know Guide to The Buccaneers

Was life in the Gilded Age all that gilded?  In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.”  Apple TV’s The Buccaneers, which just returned for its second season,

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A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream

Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

Read More »
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A Need-to-Know Guide to And Just Like That…

It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

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Bring Her Back

A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

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The Something for Everyone Show: Poker Face is Back

Can’t agree on what to watch together?  Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

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It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models  

“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters

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