
Felipe Patterson

Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.

A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

Inside the War Zone: A sit down with Warfare’s director and cast
A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal

Black Bag
A taut, stylish and steamy take on the high-stakes espionage thriller, Steven Soderbergh’s Black Bag keeps you second-guessing every character’s motives until the very end. The tension, the suspicion, the sense that the walls are closing in? It’s all here.

You Hurt My Feelings
A rare grown-up comedy that hits home while delivering an escape, You Hurt My Feelings has something to say about the power of both honesty and vulnerability in helping us connect.

Conclave
Conclave transcends its rich setting to tell a universally compelling story about power, morality, and the fundamental human condition — which no amount of religious ceremony, historical weight, or status can change.

The Brutalist
Blending raw emotion, breathtaking cinematography, and a narrative that speaks to the resilience of the human spirit, The Brutalist is a top 2025 Oscar contender and a must-watch for lovers of bold, novelistic storytelling, American history, and cinematic experiences.

Felipe Patterson

Get Ready for Cruella: Your Guide to the 101 Dalmatians-verse
Beginning with the original animated film in 1961, fans can’t seem to get enough of those spotted dogs and their nemesis, the despicable Cruella De Vil.

American Housewife and Its Fans Deserved More
After five seasons, ABC’s secretly subversive sitcom got the ax last week, disappointing fans who weren’t ready to say goodbye to the Ottos.

Master of None Presents: Moments in Love
Moments in Love is an impressive reinvention of Master of None that gives a beautifully shot look into the most intimate parts of life. It has a lot of style and a lot of substance.

The Me You Can’t See
For anyone dealing with any kind of mental issue, this series will show them they’re not alone. It doesn’t have all the answers, but it sparks a conversation and may even provide a lifeline to those longing to be seen.

The End of Kim’s Convenience is a Loss for TV Culture at Large
As one of the few shows to center around an Asian family, Kim’s Convenience broke barriers and was a big step forward in representation and diversity on North American television. Is there hope after its cancellation?

A Black Lady Sketch Show
A Black Lady Sketch Show is a fun, funny, and smart way to spend 30 minutes. Don’t be mad if you find yourself binging the entire series in one sitting.

Origin Story: How Friends Became the Ultimate Watercooler Hit
After a year-long delay due to the pandemic, the much-anticipated Friends Reunion Special finally has a “stream date”: Thursday, May 27th, a tribute to its original “Must-See TV” night. The big event has already driven legions of fans sign up for HBOMax, turning the service into “Must Stream TV.” David Janollari was a young development

The Sons of Sam: A Descent into Darkness
The subtitle isn’t just referring to David Berkowitz’s murderous rampage, but one investigator’s never-ending quest for the truth.

Stream and Scream: The Best Horror Movie Sequels
In honor of yet another Saw sequel, we present some of the best horror movie sequels to stream. When there’s money to be made, horror villains, no matter how shriveled, dead, or decapitated, always manage to return.

Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.

A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,

A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,

A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked

A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be

Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.

The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for

It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters