Felipe Patterson
Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
Inside the War Zone: A sit down with Warfare’s director and cast
A harrowing new film from Alex Garland’s production banner, Warfare drops viewers into a real-time combat mission in Iraq. Set in 2006, it follows a team of Navy SEALs on a surveillance mission gone awry. Co-written and co-directed by Garland and Ray Mendoza—whose own platoon was ambushed during the real-life event—the film is both brutal
Black Bag
A taut, stylish and steamy take on the high-stakes espionage thriller, Steven Soderbergh’s Black Bag keeps you second-guessing every character’s motives until the very end. The tension, the suspicion, the sense that the walls are closing in? It’s all here.
You Hurt My Feelings
A rare grown-up comedy that hits home while delivering an escape, You Hurt My Feelings has something to say about the power of both honesty and vulnerability in helping us connect.
Conclave
Conclave transcends its rich setting to tell a universally compelling story about power, morality, and the fundamental human condition — which no amount of religious ceremony, historical weight, or status can change.
The Brutalist
Blending raw emotion, breathtaking cinematography, and a narrative that speaks to the resilience of the human spirit, The Brutalist is a top 2025 Oscar contender and a must-watch for lovers of bold, novelistic storytelling, American history, and cinematic experiences.
Felipe Patterson
Romance Me: Meet Your Holiday Streaming Date
Single this holiday season? Luck-y you. You’re free to binge – and fall for – all the charming, seductive, irresistible protagonists across the streamers. Check out these holiday-themed stories for starters.
From Aristocrat to Waiter in a Grand Hotel: A Gentleman in Moscow
It’s 1920s Moscow, four years after the start of the Russian Revolution. The aristocracy has been put on trial, staring down their inevitable doom. Count Alexander Rostov, a Russian aristocrat, is sentenced by a Bolshevik tribunal for “social parasitism” — the crime of living off of the efforts of others. His fate is surely death,
Industry S1
Industry is a series fueled by greed, drugs, sex, and money, and provides all of these ingredients in Federal Reserve-sized quantities. There’s never a dull moment.
Dune: Part Two
A mesmerizing immersive experience, Dune: Part Two is a film you won’t quickly forget. From the collective talents of its high wattage ensemble cast to the stunning cinematography, costumes and sound design, its a blockbuster that will stimulate all the senses along with your emotions.
Tokyo Vice
On one level, Tokyo Vice is the story of one man’s kamikaze mission to bring down the Yakuza. But it’s also a mesmerizing noir drama that unfolds into a tense thriller — and ultimately serves as an important reminder that freedom of the press is worth fighting for.
The New Look
A lavish historical drama set in Nazi-occupied Paris during WWII, The New Look contrasts the horrors of war with the opulence of post-War French society while underscoring the moral dilemmas faced by the two cultural icons of the time: Christian Dior (Ben Mendelsohn) and Coco Chanel (Juliette Binoche).
Joy Ride
A truly joyous escape watch with uproarious scenes and must-find soundtrack, Joy Ride resonates on surprisingly deeper levels, reminding us of the transformative power of friendship, laughter, and adventure.
The Greatest Show on Earth: Springsteen, E Street and ‘Road Diary’
Having been a music journalist for over 30 years for the likes of Rolling Stone, The L.A. Times, Billboard, Chicago Tribune and pretty much everywhere else, I have been to easily 5000 plus shows. I can safely say there is nothing on earth like being at a Bruce Springsteen and The E Street Band show.
Perfect Days
A meditation on finding beauty in the ordinary and dignity in manual labor, Perfect Days serves as a lesson as well as a blueprint on how to live a fulfilling and meaningful life. It underscores the importance of finding solace in solitude and happiness from the simple act of living.
Eddington is a pandemic parable. But what is it trying to say?
Set in May 2020 in a fictional New Mexico town, Pedro Pascal and Joaquin Phoenix’s new film Eddington draws some parallels to two of the biggest breakout shows of the past decade: The Last of Us and The Walking Dead. It’s a story about a virus that’s less about death and more about exposing the living.
A Watercooler Watch: Barbara Walters: Tell Me Everything
Before social media and podcasts, there was one undeniable truth about news-making interviews: if a story mattered, Barbara Walters would be the one to tell it. Landing a one-on-one with her didn’t just mean publicity, it meant you had become part of a national conversation. But while the interview signified that you had made it,
A Need-to-Know Guide to The Buccaneers
Was life in the Gilded Age all that gilded? In the HBO Max series, penned by Downton Abbey’s creator Julian Fellowes, the focus is on the class divide between America’s old money aristocrats and new money industrialists, and the often exhausting rules of “society.” Apple TV’s The Buccaneers, which just returned for its second season,
A Watercooler Guide to The Phoenician Scheme: Wes Anderson’s Oil-Baron Fever Dream
Wes Anderson films are easy to spot, but not always easy to describe. Watching them feels like stepping inside a handcrafted diorama of history: symmetrical, stylized, and slightly sentimental. From the wry narration and sharp color palettes to his signature whip pans and deadpan dialogue, Anderson crafts cinematic worlds where emotions are bottled then uncorked
A Need-to-Know Guide to And Just Like That…
It’s been a two year wait, but Carrie Bradshaw and her tribe of fabulous fifty-somethings are finally back with their third season. You’d be forgiven if you lost track of the Sex and the City sequel and its storylines. But with summer’s planes, trains, and automobiles and rained-in weekends, And Just Like That might be
Bring Her Back
A psychological horror film with standout performances, Bring Her Back isn’t just about summoning the dead, it’s about confronting the parts of ourselves we lose in the process. The Philippou brothers have crafted a film that dares to ask whether the true horror lies in what we’re willing to do in the name of love.
The Something for Everyone Show: Poker Face is Back
Can’t agree on what to watch together? Consider putting on your Poker Face. Peacock’s acclaimed mystery-of-the-week series created by Rian Johnson (best known for Star Wars: The Last Jedi and, most relevant here, the Glass Onion films) and starring Natasha Lyonne, is finally back for another season after two long years. That’s great news for
It’s not HBO, it’s The Pitt: How streamers are embracing old TV network models
“It’s not TV, it’s HBO.” Remember that old tagline? For nearly all of its history, broadcast television has been fighting against the perception that it’s subordinate to film as a storytelling medium. Television was just media for the masses, as opposed to the more erudite aficionados of cinema (who, by the way, poured into theaters